A work in constant progress (and occasional regress).
Release Date:
June 2, 1970
Original Title:
Il rosso segno della follia
Alternate Titles:
A Hatchet for the Honeymoon
An Axe for the Honeymoon
Blood Brides
Hatchet for the Honeymoon
Red Wedding Night
The Red Sign of Madness
クレイジー・キラー 悪魔の焼却炉
Genres:
Horror | Mystery | Thriller
Production Companies:
Mercury Films
Pan Latina Films
Películas Ibarra y Cía.
Production Countries:
Italy | Spain
Ratings / Certifications:
N/A
Runtime: 83
A madman haunted by the ghost of his ex-wife carves a corpse-laden trail.
Assistant Art Director:
Giuseppe Aldrovandi
Assistant Camera:
Marcello Anconetani
Gianlorenzo Battaglia
Avelino Carla
Assistant Decorator:
Gianna Spirito
Assistant Director:
Lamberto Bava
Ricardo Walker
Assistant Editor:
Liliana Serra
Assistant Production Manager:
Graziano Fabiani
José Pedro Villanueva
Camera Operator:
Jaime Deu Casas
Emilio Varriano
Mario Bava
Antonio Rinaldi
Conductor:
Luigi Zito
Costume Design:
José María Tresserra
Director:
Mario Bava
Director of Photography:
Mario Bava
Antonio Rinaldi
Editor:
Soledad López
Hairstylist:
Hipólita López
Emilia Zachini
Makeup Artist:
Pierantonio Mecacci
Elisa Aspachs
Original Music Composer:
Sante Maria Romitelli
Presenter:
N.W. Russo
Producer:
Manuel Caño
Giuseppe Zaccariello
Production Assistant:
Enzo Ferla
Production Design:
Giulia Mafai
Production Manager:
Jaime Fernandez
Production Secretary:
Antonio Angrisano
Screenplay:
Mario Bava
Santiago Moncada
Laura Betti
Mario Musy Glori
Script Supervisor:
Patrizia Zulini
Marisa Agostini
Second Unit Director:
Lamberto Bava
Set Costumer:
Nadia Fabriani
Set Designer:
Jesús M. Herrero González
Sound:
Pietro Ortolani
Still Photographer:
Jose Adrian
Giuseppe Parrabano
Title Designer:
Mario Bava
Luigi Biamonte
Miro Grisanti
Unit Production Manager:
Enzo Ferla
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.