A work in constant progress (and occasional regress).
Release Date:
September 26, 2003
Original Title:
Prey for Rock & Roll
Alternate Titles:
Dipsa gia kataxiosi
Meu Pecado Favorito
My Favorite Sin
O Santuário do Rock
Prey for Rock and Roll
Rockfenegyerekek
Genres:
Drama | Music
Production Companies:
E.P. Production
Prey LLC
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 104
In late 1980s Los Angeles, Jacki and her all-girl punk rock band, Clam Dandy, are trying to make it big. On the verge of turning 40, Jacki decides that if the band's one last shot at the big time is unsuccessful, she will give up her dreams of stardom. Along the way, the women are rocked by personal tragedies that threaten to break up the band before they can get their last shot at success.
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ADR Mixer:
David Boulton
Additional Camera:
Heather Page
Keith Solomon
Scott Andrew Ressler
Additional First Assistant Camera:
Michele McKinley
Cale Finot
Paul Bode
Charles Clifford Jones Jr.
Eric Schilling
Helen Cho Anthos
Additional Music:
Stephen Trask
Additional Photography:
Tom Richmond
Art Department Coordinator:
Leslie Pyles
Assistant Camera:
Jeffrey Saldin
Yen P. Nguyen
Assistant Costume Designer:
Erin Julie Tavin
Assistant Editor:
David A. Smith
Assistant Makeup Artist:
Heather Cummings
Staci Witt
Assistant Production Coordinator:
Shawn Gary Davis
Boom Operator:
Ray Guillory
Brion Condon
Camera Operator:
Chris Lombardi
Casting:
Georgianne Walken
Sheila Jaffe
Casting Associate:
Meg Morman
Toni Williams
Co-Executive Producer:
Gerald Barad
Robin Shushan
Co-Producer:
Alexis Magagni-Seely
Kelly Crean
Costume Designer:
Vanessa Vogel
Costumer:
Lysa Rose
Director:
Alex Steyermark
Director of Photography:
Antonio Calvache
Editor:
Allyson C. Johnson
Executive Producer:
Gregg Lazarescu
John Bonanno
Adam Weiner
First Assistant Camera:
Rory Muirhead
David Sammons
Michele McKinley
Paul Maletich
First Assistant Director:
Sholto J. Roeg
Foley Artist:
Nancy Cabrera
Foley Mixer:
Ryan Collison
Hair Assistant:
Kevin A. Greer
Key Hair Stylist:
Sharisse Fine
Key Makeup Artist:
Carol Strong
Line Producer:
Pat Scanlon
Makeup & Hair Assistant:
Amy Harmon
Music:
Stephen Trask
Music Arranger:
Stephen Trask
Music Editor:
Allyson C. Johnson
Tim O'Heir
Music Supervisor:
Linda Cohen
Post Production Supervisor:
Alexis Magagni-Seely
Producer:
Gina Resnick
Gina Gershon
Donovan Mannato
Production Coordinator:
Nicole Colombie
Production Design:
John Chichester
Property Master:
Derrick Hinman
Screenplay:
Cheri Lovedog
Robin Shushan
Script Consultant:
Beth Nathanson
Script Supervisor:
Sylvie Chesneau
Second Assistant Camera:
Keith Jones
Jennifer Bell
Second Assistant Director:
Leonard E. Reynolds III
Second Second Assistant Director:
Kathryn Hensel
Set Decoration:
Maureen Osborne
Set Dresser:
Mike Fritz
Matthew Salata
Matt Vis
Salvadore Valle
Songs:
Cheri Lovedog
Sound:
Piotr Glabinski
Marlena Grzaslewicz
Dan Korintus
John Werner
Mariusz Glabinski
Ira Spiegel
Bruce Kitzmeyer
Sound Mixer:
Steve Weiss
Sound Re-Recording Mixer:
Dominick Tavella
Steadicam Operator:
Jeff Mart
Chris Squires
Still Photographer:
Donnie Molls
Stunt Coordinator:
Lynn Salvatori
Theatre Play:
Cheri Lovedog
Wardrobe Supervisor:
Alyson MacInnis
Beverley Woods
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.