A work in constant progress (and occasional regress).
Release Date:
October 11, 1967
Original Title:
Oscar
Alternate Titles:
Io due figlie tre valigie
Louis de Funès - Oscar
Όσκαρ
Оскаp
Оскар
Genres:
Comedy
Production Companies:
Gaumont International
Production Countries:
France
Ratings / Certifications:
DE: 12 GR: 13
Runtime: 85
This film originated as a play in Paris. The story focuses on the one-day adventures of Bertrand Barnier played with a genius of French cinema, Louis de Funes. In the same morning he learns that his daughter is pregnant, an employee stole a large amount of money from his company, his maid is about to resign in order to marry a wealthy neighbor and his body builder is interested in marrying his daughter. The seemingly complicated story-line is full of comedy or errors and some of the most hilarious mime scenes of the French cinema.
Adaptation:
Louis de Funès
Jean Halain
Édouard Molinaro
Additional Dialogue:
Jean Halain
Administration:
Guy Azzi
Assistant Camera:
Michel Lebon
Jean-Claude Amiot
Assistant Decorator:
Jean Forestier
Assistant Director:
Jean-Marie Poiré
Philippe Monnier
Author:
Claude Magnier
Camera Operator:
Jean Benezech
Georges Pastier
Co-Producer:
Jean Le Duc
Director:
Édouard Molinaro
Director of Photography:
Raymond Lemoigne
Dresser:
Francesco Smalto
Editor:
Monique Isnardon
Robert Isnardon
Executive Producer:
Alain Poiré
General Manager:
Roger Boulais
Hair Department Head:
Micheline Charperon
Head Decorator:
Georges Wakhévitch
Makeup Department Head:
Anatole Paris
Original Music Composer:
Georges Delerue
Jean Marion
Production Director:
Robert Sussfeld
Irénée Leriche
Script:
Aurore Pasquiss-Chabrol
Set Decoration:
Pierre Charron
Sound Engineer:
René-Christian Forget
Still Photographer:
André Dino
Title Designer:
Jean Fouchet
Writer:
Claude Magnier
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.