A work in constant progress (and occasional regress).
Release Date:
March 3, 1978
Original Title:
Ritratto di borghesia in nero
Alternate Titles:
Die nackte Bourgeoisie
Moeurs cachées de la bourgeoisie
Retrato de Burguesia
Retrato en negro de la burguesía
黑色資產階級肖像
黑色资产阶级肖像
Genres:
Drama | Romance
Production Companies:
Mars Film Produzione
Production Countries:
Italy
Ratings / Certifications:
CA: 18A DE: 16 FI: K-16 FR: 12 IT: VM18 NO: 15 SE: 15 US: R
Runtime: 105
A background of rising fascism in Venice in 1930s. A music-student, Matthias, mixes with the town's bourgeoisie and falls in love with a mature teacher, Carla, the mother of his friend Renato, and then with his young colleague, Elena.
Administration:
Umberto Tavi
Assistant Camera:
Marco Cristiani
Assistant Editor:
Elvira Tonini
Bruna Abbatelli
Assistant Hairstylist:
Stefania Santinelli
Assistant Makeup Artist:
Alvaro Rossi
Assistant Production Design:
Ezio Di Monte
Boom Operator:
Manlio Pescetelli
Camera Operator:
Nino Cristiani
Daniele Nannuzzi
Costume Design:
Wayne A. Finkelman
Director:
Tonino Cervi
Director of Photography:
Armando Nannuzzi
Editor:
Nino Baragli
First Assistant Director:
Andrée Ruth Shammah
Gaffer:
Marcello Gabriele
Bruno Angeletti
Hairstylist:
Paolo Franceschi
Key Grip:
Giulio Diamanti
Line Producer:
Michele Marsala
Makeup Artist:
Maurizio Giustini
Novel:
Roger Peyrefitte
Original Music Composer:
Vince Tempera
Producer:
Piero La Mantia
Production Design:
Luigi Scaccianoce
Production Secretary:
Carla Crovato
Giovanni Bernardi
Rosetta Sestili
Gastone De Mattia
Claudio Mammarella
Screenplay:
Tonino Cervi
Cesare Frugoni
Goffredo Parise
Script Supervisor:
Beatrice Banfi
Seamstress:
Maura Zuccherofino
Fernanda Zuccherofino
Sound:
Ferdinando Pescetelli
Sound Mixer:
Renato Cadueri
Unit Manager:
Claudio Vinale
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.