A work in constant progress (and occasional regress).
Release Date:
November 1, 1998
Original Title:
Sometimes They Come Back... for More
Alternate Titles:
Sometimes They Come Back For More
Sometimes They Come Back III
Иногда они возвращаются снова и снова
Genres:
Horror
Production Companies:
Lionsgate
Trimark Pictures
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 90
On a arctic circle radio shack, an ancient evil lurks, ready to strike at a psychologist, an army man and their collective forces.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Jack Glenn
Bud Kremp
ADR Editor:
Warren Kleiman
ADR Mixer:
Warren Kleiman
Additional Editor:
Randy Thorton
Additional Hairstylist:
Cindy Nakadaira
Art Direction:
Rachel Kamerman
Kurt V. DeWitt
Eden Barr
Tim Zeug
Assistant Editor:
Deborah Ray
Shin Whei Peng
Assistant Production Coordinator:
Lance Troyan
Allison Diane Brooks
Boom Operator:
Sterling Moore
Kat Craig
Jason Berlin
Gary F. Bentley
Casting:
Betsy Fels
Casting Assistant:
Particia Burgos
Characters:
Stephen King
Co-Producer:
Phillip B. Goldfine
Bruce David Eisen
Costume Designer:
Bonnie Stauch
Costume Supervisor:
Joyce Westergaard
Suzanne McNamara
Dialogue Editor:
Russell Farmarco
Director:
Daniel Zelik Berk
Director of Photography:
Christopher Walling
Editor:
Todd Clark
Executive In Charge Of Production:
Richard Jordan
Executive Producer:
Mark Amin
Michael L. Meltzer
Extras Casting:
Charles Matthews
First Assistant "B" Camera:
Rob Rubin
First Assistant Camera:
Keith Eisberg
Scot Petitclerc
Stephane Cojot-Goldberg
First Assistant Director:
Rob Nardiello
Francesca Iorillo
Caroline Stephenson
John Day
First Assistant Editor:
Stephen H. Sloan
Aaron E. Stanford
Foley Artist:
Adam DeCoster
Paige Pollack
Foley Recordist:
Warren Kleiman
Key Hair Stylist:
Ann Marie Davis
Lori Ann Baker
Maxine Morris
Key Makeup Artist:
Elizabeth Dahl
Leadman:
Shane Middleton
Line Producer:
Marcy Willmann
Sebastian Weidebicks
Deborah Ann Henderson
Makeup Department Head:
James Ryder
Music Supervisor:
Joel C. High
Original Music Composer:
Brian Langsbard
Producer:
Diana Zahn
Daniel Zelik Berk
Production Controller:
Meltem Demirer Vogler
Production Coordinator:
Stacy Willmann
Henri Cheelton
Steven Gould
Production Design:
Trae King
Candi Guterres
Production Supervisor:
Gia Civerolo
Property Master:
Gabriel Higgins
Script Supervisor:
Colette Panah
Sharon Cingle
Stephen H. Sloan
Second Assistant "B" Camera:
Elliot Baum
Second Assistant Camera:
Christopher Wiggins
Nathan Wilson
Walter Lancaster
Richard Masino
Derek Bruyere
Second Assistant Director:
Michael Lee Phillips Jr.
Rebecca Levinson
Alfie Kiernan
Andy Kauffman
Lou Tocchet
Second Second Assistant Director:
Damon E. Burke
Robert Corlew
Second Unit Director:
Deborah Ann Henderson
Set Decoration:
Melissa M. Levander
Jason Bean
Set Dresser:
Eric Steinway
Shane Middleton
Sound Effects Editor:
Cormac Funge
Ai-Ling Lee
Sound Mixer:
Peter V. Meiselmann
Peter Bentley
Sound Re-Recording Mixer:
Warren Kleiman
Aleksandr Gruzdev
Special Effects Assistant:
Andy Siabok
Rick Philips
Special Effects Makeup Artist:
Gabriel Bartalos
Cesha Ventre
George Ruben
Special Effects Supervisor:
Frank Ceglia
Special Effects Technician:
David Dion
Steadicam Operator:
Glenn DiVincenzo
Still Photographer:
Sheri Lane
Storyboard Artist:
Rob Tokar
Stunt Coordinator:
Stephen Hart
Cole S. McKay
Stunts:
Steven Ritzi
Bob Bragg
Shane Anderson
Tony Snegoff
Rod King
Leigh Hennessy
Casey Pieretti
Patrick J. Statham
Justin Lundin
Supervising Producer:
David Tripet
Supervising Sound Editor:
Elmo Weber
Warren Kleiman
Unit Production Manager:
Marcy Willmann
Writer:
Darryl Sollerh
Adam Grossman
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.