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Sometimes They Come Back... Again (1996) [R]

Featuring:
Michael Gross, Alexis Arquette, Hilary Swank, Bojesse Christopher

Written by:
Stephen King (characters)
Guy Riedel (story)
Guy Riedel (screenplay)
Adam Grossman (screenplay)

Directed by:
Adam Grossman


Release Date:
September 3, 1996

Original Title:
Sometimes They Come Back... Again

Alternate Titles:
Les enfants du diable
Sometimes They Come Back 2
Sometimes They Come Back Again
Sommetider Vender De Tilbage Igen
ブロス リターンズ やつらはふたたび帰ってくる
ブロス リターンズ～やつらはふたたび帰ってくる～

Genres:
Horror

Production Companies:
Lionsgate
Trimark Pictures

Production Countries:
United States of America

Ratings / Certifications:
US: R 

Runtime: 98

True evil never dies.

Overview from TheMovieDB

Jon Porter returns to his hometown after the sudden and bizarre death of his mother. He hopes to leave as soon as the funeral is over but it's too late. The sinister forces that caused his sister's brutal murder 30 years ago are back. Jon knows the nightmare can't continue. He must stand up to his fear and exorcise the demons who have risen again to take posession of his beautiful teenage daughter - body and soul.

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Rankings and Honors

Sometimes They Come Back... Again (1996) on IMDb
Internet Movie Database 4.2/10

Performers

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Production

ADR Editor:
Oliver Barth

ADR Mixer:
Eric Hoeschen

ADR Supervisor:
Sarah Brady

Additional Photography:
Steven Douglas Smith

Assistant Editor:
Dahven A. Polakow

Assistant Makeup Artist:
Joe Podnar
John Brown
Anthony Showe
Claudia Orozco
Jordu Schell

Assistant Production Coordinator:
Lene Irgens Baekkel

Assistant Property Master:
Erin Cochran

Boom Operator:
Jason S. Johnston
Marydixie Kirkpatrick

Casting:
Ed Mitchell
Robyn Ray

Casting Assistant:
Mireille Dermer

Characters:
Stephen King

Co-Producer:
Phillip B. Goldfine
Milton Subotsky

Costume Design:
Bonnie Stauch

Dialogue Editor:
Bruce Murphy

Digital Effects Supervisor:
Douglas Miller

Director:
Adam Grossman

Director of Photography:
Christopher Baffa

Editor:
Stephen R. Myers

Executive In Charge Of Post Production:
Richard Jordan

Executive In Charge Of Production:
Cami Winikoff
David Tripet

Executive Producer:
Mark Amin
Barry Barnholtz

Extras Casting:
Shannon Dunn

First Assistant Camera:
Scott Johnston

First Assistant Director:
Becky Logan
Violet S. Raye

First Assistant Editor:
Elizabeth Phaneuf

Foley Artist:
Doug Reed

Foley Editor:
Doug Reed

Foley Mixer:
Eric Hoeschen

Key Hair Stylist:
Phillip Pico

Key Makeup Artist:
Elisabeth Fry

Leadman:
Scott Fortner

Line Producer:
JoAnn May-Pavey

Music Supervisor:
Gary English

Original Music Composer:
Peter Manning Robinson

Post Production Supervisor:
Aryana Farshad

Producer:
Michael L. Meltzer

Production Controller:
Meltem Demirer Vogler

Production Coordinator:
Heidi S. Pavey

Production Design:
Aaron Osborne

Property Master:
Edward J. Borasch Jr

Pyrotechnician:
J.D. Streett

Rotoscoping Artist:
Christopher Jackson

Screenplay:
Guy Riedel
Adam Grossman

Script Supervisor:
Mary Anne Seward

Second Assistant Camera:
David DeForest Keys

Second Assistant Director:
Jonathan Southard

Second Second Assistant Director:
Karen N. Horwitz

Set Decoration:
Danielle Berman

Set Designer:
Andrew Max Cahn

Set Dresser:
Heather Gulko

Sound Designer:
Elmo Weber

Sound Effects Editor:
Cormac Funge
David Bach
Zeke Young

Sound Mixer:
Cameron Hamza

Sound Re-Recording Mixer:
John Brasher
Marty Hutcherson

Steadicam Operator:
Brooks Robinson

Still Photographer:
Grace Chon
Rod Searcey

Story:
Guy Riedel

Stunt Coordinator:
Jophery C. Brown

Stunts:
Chris Howell
Myke Schwartz
Robert Jauregui
Leon Delaney
Christopher Epper

Supervising Editor:
Michael E. Polakow

Visual Effects Supervisor:
Evan Jacobs

Wardrobe Assistant:
Dayna Cullincini

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.