Dear Viola (2014) [N/A]

Release Date:
March 16, 2014

Original Title:
Dear Viola

Alternate Titles:
Courrier du coeur

Genres:
Comedy | Romance | TV Movie

Production Companies:
Entertainment One Television
UP Entertainment

Production Countries:
Canada

Ratings / Certifications:
 N/A

Runtime: 87

She advised him to start dating again, but she never mentioned who.

Katie, a shy newspaper accountant submits a reply to a "Dear Viola" letter to the editor that she works for, anonymously. She has a real knack for writing to people and getting to the heart of the matter. Soon, she takes over the newspaper's advice column and falls in love with one of her correspondents. The whole town becomes involved in the romantics.

Additional information:

The Search Form


"A" Camera Operator:
Russ Goozee

"B" Camera Operator:
Martin Brown

ADR Recordist:
Pino Halili

Art Direction:
Glen Charles Landry

Assistant Dialogue Editor:
Beni Harper

Assistant Director Trainee:
Elaine Chan
Jennifer Thiffault

Assistant Location Manager:
Steve Tabachnik

Best Boy Electric:
Aaron Wilcox

Best Boy Grip:
Ben Dundas

Boom Operator:
Gregory Moneta

Camera Trainee:
Jordan Woodward

Cast Driver:
Joseph Wolfond
Ted Graham
Keith Cole
Landon Ramirez

Casting:
Shana Landsburg

Casting Associate:
Sheena Clowater

Casting Director:
Larissa Mair

Colorist:
Mila Patriki

Costume Designer:
Dawn Thompson

Costume Set Supervisor:
Kristin Lapensee

Costume Supervisor:
Kristin Lapensee

Craft Service:
Yohance Quashie

Data Management Technician:
Khaled Sabbour

Director:
Laurie Lynd

Director of Photography:
Russ Goozee

Editor:
Charlotte Disher

Electrician:
Ben Kelly
Marcus Paletta
Stuart Wells
Jim Neill

Executive Producer:
Lee Rose
Kathleen McGhee-Anderson
Ira Pincus
John Morayniss
Kellie Martin

Extras Casting:
Maureen Evans

First Assistant "A" Camera:
Blain Thrush

First Assistant Director:
Alan Goluboff

First Assistant Editor:
James Young

Foley Artist:
Heather Pipe

Foley Mixer:
Ryan MacNeill

Gaffer:
Nelson Rogers

Generator Operator:
Jim Neill

Grip:
Cian Foley
Oscar Garcia

Key Grip:
Jonathan Yapp

Key Hair Stylist:
Raquel Atienza

Key Makeup Artist:
Raquel Atienza

Location Manager:
Craig Gradwell

Location Production Assistant:
Christian Crosthwaite

Makeup & Hair Assistant:
Sarah Craig McEathron
Stella Margaritis
Trina Brink

Online Editor:
Colin Carter

Original Music Composer:
Steve O'Connor
Justin Rutledge

Post Production Supervisor:
Sean Frewer

Producer:
Betty Orr
Margaret O'Brien

Production Accountant:
Paul Zonneveld

Production Coordinator:
Max Wolfond

Production Design:
Brian Verhoog

Production Manager:
Ashley Torgis

Property Master:
Maggy Monceaux

Script Supervisor:
Brad Wetherly

Second Assistant "A" Camera:
Michael Yablonski

Second Assistant Director:
Aric Dupere

Set Decoration:
Julian Peters

Set Decoration Buyer:
Bert Kirkham

Set Dresser:
Mike Bernardo

Sound Effects Editor:
Steven Ejbick
Alexis Eskandari

Sound Mixer:
Brian Newby

Sound Re-Recording Assistant:
Josh Brown

Sound Re-Recording Mixer:
Shaun Gratto
Allen Ormerod

Studio Teacher:
Laurel Bresnahan

Supervising Producer:
Jonathan Schwartz

Supervising Sound Editor:
Pino Halili

Teleplay:
Kathleen McGhee-Anderson
Lee Rose

Third Assistant Director:
Jason Bourke

Transportation Captain:
Connor Gross

Transportation Coordinator:
Marco Iaboni

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.