A work in constant progress (and occasional regress).
Featuring:
Albert Préjean, Pierre Laurel, Martial Rèbe
Written by:
Julien Duvivier
Charles Vildrac
Directed by:
Julien Duvivier
Release Date:
April 1, 1934
Original Title:
Le Paquebot Tenacity
Genres:
Drama | Romance
Production Companies:
Le Film d'Art (Vandal et Delac)
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 85
Bastien and Ségard decide to leave France for Canada. They buy tickets aboard a rickety craft, the Tenacity, that never quite seems able to leave port. While stuck there they both fall for the innkeeper's daughter, which causes them to rethink their Canadian notions.
Bastien and Ségard decide to leave France for Canada. They wait for the departure of their ship in a hotel recommended by Hidoux, an old porter that they met at the station. They drink around town and Bastien meets Émilienne in a bar while Ségard falls in love with the hotel servant girl Thérèse. When the day of the departure comes, the ship's engine break soon after they leave the port. Forced to stay one more week in the Hotel, they find a temporary job. One night, Bastien offers Thérèse some champagne and the two end up making love on the beach. When the engine is fixed, Bastien decides to stay with Thérèse and writes a letter to Ségard about it. Ségard, disappointed, boards the ship alone.
Assistant Director:
Gilbert de Kniff
Director:
Julien Duvivier
Director of Photography:
Willy Faktorovitch
Armand Thirard
Christian Matras
Nicolas Hayer
Editor:
Marthe Poncin
Music:
Jean Wiener
Producer:
Charles Delac
Marcel Vandal
Production Design:
Jacques Krauss
Production Manager:
Jean-Paul Le Chanois
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.