A work in constant progress (and occasional regress).
Release Date:
October 18, 2007
Original Title:
Postal
Alternate Titles:
Postal
Postal: The Movie
Genres:
Action | Adventure | Comedy | Crime | Thriller
Production Companies:
Boll Kino Beteiligungs GmbH & Co. KG
Pitchblack Pictures
Running With Scissors
Production Countries:
Canada | Germany | United States of America
Ratings / Certifications:
DE: 16 US: R
Runtime: 100
The story begins with a regular Joe who tries desperately to seek employment, but embarks on a violent rampage when he teams up with cult leader Uncle Dave. Their first act is to heist an amusement park, only to learn that the Taliban are planning the same heist as well. Chaos ensues, and now the Postal Dude must not only take on terrorists but also political figures.
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ADR Mixer:
Francisco Koch
Todd Anisman
ADR Recordist:
Graeme Hughes
Glen Noseworthy
Kevin Belen
ADR Supervisor:
Deni King
Art Department Coordinator:
Michelle Gasque
Art Direction:
John Alvarez
Assistant Costume Designer:
Aieisha Li
Assistant Editor:
Gary Lam
Greg Ng
Aynsley Baldwin
Assistant Hairstylist:
Marnie Wong
Victoria Fernandez
Kerri Winter
Assistant Makeup Artist:
Debi Lelievre
Amber Trudeau
Assistant Set Decoration:
Chelsea Yusep
Assistant Sound Editor:
Hanna Steger
Associate Producer:
Jonathan Shore
Matthias Triebel
Boom Operator:
Graham Crowell
Casting:
Maureen Webb
Sunday Boling
Meg Morman
Casting Associate:
Colleen Bolton
Costume Designer:
Maria Livingstone
Costume Set Supervisor:
Ruby Fleming
Costumer:
Gloria Tsui
Dialogue Editor:
Fritz A. Wollner
Digital Effects Producer:
Christopher Elke
Digital Effects Supervisor:
Jean Lapointe
Director:
Uwe Boll
Director of Photography:
Mathias Neumann
Editor:
Julian Clarke
Executive Producer:
Vincent James Desiderio Jr.
Steve Wik
Extras Casting:
Kit Hayward
Extras Casting Assistant:
Sara Brown
First Assistant Director:
Bryan C. Knight
First Assistant Hairstylist:
Maria Gleeson
Rebekah Zantingh
First Assistant Makeup Artist:
Tanya Howard
First Assistant Production Coordinator:
Trevor Undi
Foley Artist:
Peter Roigk
Graphic Designer:
Max Feldman
Shannon Courte
Key Hair Stylist:
Leah Schweiger
Key Makeup Artist:
Margaret Yaworski
Music Editor:
Hugo Sanchez
Original Music Composer:
Jessica de Rooij
Post Production Supervisor:
Aisla Webster
Jonathan Shore
Producer:
Uwe Boll
Shawn Williamson
Dan Clarke
Production Coordinator:
Joey Setter
Diana Madureira
Production Designer:
Tink
Production Manager:
Dan Clarke
Production Supervisor:
Alan Bak
Tom Bak
Script Consultant:
Steffen Kuhr
Script Supervisor:
Jeannine Dupuy
Second Assistant Director:
Chris Lamb
Second Assistant Production Coordinator:
Joel Bradley
Second Unit Director:
Danny Virtue
Second Unit Director of Photography:
Todd Elyzen
Second Unit First Assistant Director:
Jason Furukawa
Set Decoration:
Joanne Leblanc
Set Designer:
Peter Ochotta
Sound Assistant:
Simon Bright
Sound Designer:
Max Wanko
Sound Editor:
Manuel Karakas
Stefan Muller
Sound Mixer:
Mark Noda
Sound Re-Recording Mixer:
Jochen Engelke
Sound Supervisor:
Wolfgang Herold
Special Effects Coordinator:
Jak Osmond
Story Consultant:
Bill Rehor
Stunt Coordinator:
Ed Anders
Mike Crestejo
Darryl Scheelar
Stunts:
Monique Ganderton
Andrea Kinsky
Krista Bell
Owen Walstrom
Rikki Gagne
David Mylrea
Nesta Chapman
Hugo Steele
Supervising Sound Editor:
Max Wanko
Third Assistant Director:
Dan Miller
Truck Costumer:
Robyn Hamel
Visual Effects Supervisor:
Jean-Luc Dinsdale
Writer:
Uwe Boll
Bryan C. Knight
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.