A work in constant progress (and occasional regress).
Release Date:
September 16, 2015
Original Title:
The Program
Alternate Titles:
Icon
L'ultima leggenda
O Programa
Programado para Vencer
Genres:
Drama
Production Companies:
StudioCanal
Working Title Films
Production Countries:
France | United Kingdom
Ratings / Certifications:
BR: 12 DK: 7 GB: 15 HU: 12 IE: 15 JP: G KR: 12 NL: 12 US: PG-13
Runtime: 103
An Irish sports journalist becomes convinced that Lance Armstrong's performances during the Tour de France victories are fueled by banned substances. With this conviction, he starts hunting for evidence that will expose Armstrong.
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Art Direction:
Jeremy Conway
Denis Schnegg
Assistant Costume Designer:
Richard Davies
Book:
David Walsh
Boom Operator:
Kate Morath
Camera Operator:
Danny Cohen
Costume Design:
Jane Petrie
Costume Supervisor:
Jérôme Brousseau
Sian Evans
Dialogue Editor:
Andy Walker
Director:
Stephen Frears
Director of Photography:
Danny Cohen
Editor:
Valerio Bonelli
First Assistant Director:
Barrie McCulloch
First Assistant Editor:
Martina Zamolo
Gaffer:
Andy Long
Hair Designer:
Felicity Bowring
Key Costumer:
Stephany Baskin
Key Grip:
Thomas Browne
Alex Mott
Key Hair Stylist:
Luke Anthony
Key Makeup Artist:
Luke Anthony
Makeup & Hair:
Sue Wyburgh
Makeup Designer:
Felicity Bowring
Makeup Trainee:
Siobhán McGrath
Music Consultant:
Kirsten Lane
Music Supervisor:
Karen Elliott
Original Music Composer:
Alex Heffes
Other:
Bradley Porter
Post Production Supervisor:
Tania Blunden
Producer:
Tim Bevan
Eric Fellner
Production Coordinator:
Simon Mills
Jennifer Simonnet
Production Design:
Alan MacDonald
Production Manager:
Rozenn Le Pape
Property Master:
Alan Bailey
Screenplay:
John Hodge
Script Supervisor:
Susanna Lenton
Second Assistant Director:
Zoe Liang
Guilhem Malgoire
Set Decoration:
Gabriella Villarreal
Special Effects Supervisor:
Neil Toddy Todd
Steadicam Operator:
Simon Baker
Still Photographer:
Van Redin
Dean Rogers
Stunt Coordinator:
Gareth Milne
Stunt Double:
Zack Duhame
Supervising Sound Editor:
Becki Ponting
Ian Wilson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.