A work in constant progress (and occasional regress).
Release Date:
May 28, 1997
Original Title:
Ma vie en rose
Alternate Titles:
La mia vita in rosa
Mein Leben in Rosarot
Mitt liv i rosa
Pembe Hayat
Ruusuinen elämäni
Моя жизнь в розовом цвете
ぼくのバラ色の人生
玫瑰少年
나의 장미빛 인생
Genres:
Comedy | Drama
Production Companies:
CNC
Canal+
Cofimage 8
Eurimages
European Co-production Fund
Freeway Films
Haut et Court
La Sept Cinéma
Pathe Center du Cinema et Audiovisuel France
RTBF
TF1 Films Production
WFE Production
Production Countries:
Belgium | France
Ratings / Certifications:
CZ: U KR: All NL: AL US: R
Runtime: 88
Ludovic is waiting for a miracle. With six-year-old certainty, she believes she was meant to be a little girl -- and that the mistake will soon be corrected. But where she expects the miraculous, Ludo finds only rejection, isolation and guilt -- as the intense reactions of family, friends, and neighbors strip away every innocent lace and bauble. As suburban prejudices close around them, family loves and loyalties are tested in the ever-escalating dramatic turns of Alain Berliner's critically acclaimed first feature. Winner of the Golden Globe for Best Foreign Language Film and a favorite at festivals around the world, this unique film experience delivers magic of the rarest sort through a story of difference, rejection, and childlike faith in miracles.
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Costume Design:
Karen Muller Serreau
Costumer:
Emmanuelle Pertus
Director:
Alain Berliner
Director of Photography:
Yves Cape
Editor:
Sandrine Deegen
Makeup & Hair:
Mabi Anzalone
Makeup Artist:
Kaatje Van Damme
Original Music Composer:
Zazie
Dominique Dalcan
Producer:
Carole Scotta
Production Design:
Véronique Melery
Production Manager:
Daniel Delume
Set Decoration:
Philippe L'Eveque
Sound:
Ludovic Hénault
Sound Editor:
Sandrine Deegen
Anne Frey
Still Photographer:
Jean-Claude Lother
Visual Effects Supervisor:
Bruno Maillard
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.