The More Things Change... (1986) [N/A]

Release Date:
March 19, 1986

Original Title:
The More Things Change...

Production Companies:
New South Wales Film Corporation
Syme International Productions

Ratings / Certifications:
 N/A

Runtime: 94

A couple hires a young girl to take care of their son.

Additional information:

The Search Form


Additional Photography:
Peter Bilcock

Art Department Assistant:
Alistair Reilly

Assistant Editor:
Adrian Brady

Assistant Grip:
Ken Connor
Stuart Crombie

Assistant Hairstylist:
Leanne White

Assistant Makeup Artist:
Leanne White

Associate Producer:
Greg Ricketson

Best Boy Electric:
Jon Leaver

Boom Operator:
Ray Phillips

Camera Operator:
Dan Burstall

Casting:
Gregory Apps

Clapper Loader:
Louis Puli

Continuity:
Joanne McLennan

Director:
Robyn Nevin

Director of Photography:
Dan Burstall

Editor:
Jill Bilcock

First Assistant Director:
Adrian Pickersgill

Focus Puller:
Barry Helleren

Gaffer:
Brian Adams

Generator Operator:
Kevin Hunt

Hair Supervisor:
Joan Hills

Key Grip:
Paul Ammitzboll

Location Manager:
Leigh Ammitzboll

Location Scout:
Jennie Caruana

Makeup Supervisor:
Joan Hills

Original Music Composer:
Peter Best

Producer:
Jill Robb

Production Accountant:
Belinda Williams

Production Coordinator:
Lynda House

Production Design:
Josephine Ford

Production Manager:
Trish Hepworth

Second Assistant Director:
Hamish McSporran

Set Dresser:
Steven Jones-Evans
Sher Marigold
Neil Angwin

Set Painter:
Colin Burchall

Sound Recordist:
John Phillips

Sound Supervisor:
Roger Savage

Standby Property Master:
John Stabb

Still Photographer:
Merryle Johnson
David Parker

Third Assistant Director:
Simon Rosenthal

Wardrobe Assistant:
Anna McAlister

Wardrobe Supervisor:
Anje Bos

Writer:
Moya Wood

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.