A work in constant progress (and occasional regress).
Release Date:
May 18, 2014
Original Title:
Return to Zero
Genres:
Drama | TV Movie
Production Companies:
Cannonball Productions
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 106
Based on the true story of a successful couple, Maggie and Aaron who are preparing for the arrival of their first child.
Art Direction:
Derek B. Mitchell
Assistant Editor:
Craig Dewey
Helen Hand
Best Boy Electric:
Eric Stillions
Boom Operator:
Grant Waters
Kinzey Reeves
Kirbie Seis
Devona Williams
Camera Operator:
Vasco Nunes
Harris Charalambous
Matthew R. Blute
Casting:
Sharon Howard-Field
Ronnie Yeskel
Costume Design:
Patrik Milani
Costume Supervisor:
Michelle Matteo
Dialogue Editor:
Dhyana Carlton-Tims
Frank Smathers
Director:
Sean Hanish
Director of Photography:
Harris Charalambous
Dolly Grip:
Marcus Mizelle
Editor:
Anita Brandt-Burgoyne
First Assistant Camera:
Marshall Rao
First Assistant Director:
John Mattingly
Hair Department Head:
Melissa Dezarate
Key Costumer:
Jeri Thompson
Key Grip:
Manny Duran
James Selph
Leadman:
Phil Kramer
Location Manager:
Gary Kesell
Makeup Department Head:
Paula Scarpino
Makeup Effects:
Renonda Bray
Original Music Composer:
James T. Sale
Producer:
Sean Hanish
Paul Jaconi-Biery
Production Coordinator:
Sarah Dignan
Production Supervisor:
Jonathan Siebel
Property Master:
Gary Ramirez
Script Supervisor:
Mimi Baker
Set Decoration:
Brent David Mannon
Sound Editor:
Christopher Gomez
Sound Effects Editor:
Dhyana Carlton-Tims
Stephen Krolikowski
Sound Re-Recording Mixer:
Mark Hensley
Supervising Sound Editor:
Joe Melody
Visual Effects Supervisor:
Diego Torroija
Ben Looram
Terry Politis
Writer:
Sean Hanish
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.