Home

Elsa & Fred (2014) [PG-13]

Release Date:
March 7, 2014

Original Title:
Elsa & Fred

Alternate Titles:
Elsa & Fred – Um Amor de Paixão
Elsa and Fred
Elsa et Fred
Эльза и Фред
トレヴィの泉で二度目の恋を

Genres:
Comedy | Drama | Romance

Production Companies:
Creative Andina
Cuatro Plus Films
Defiant Pictures
Lotus Entertainment
Media House Capital
Rio Negro
Riverside Entertainment Group
Sisung Film Finance

Production Countries:
United States of America

Ratings / Certifications:
BR: 12  IE: 12  JP: G  KR: 12  PT: M/12  US: PG-13 

Runtime: 97

It's Never Too Late.

Overview from TheMovieDB

After his daughter persuades him to move into a new apartment, aged widower Fred strikes up a friendship with his eccentric 74-year-old neighbour Elsa, who convinces him it's never too late to keep enjoying life. Although he seemed resigned to a miserable bedridden existence, Fred embraces Elsa's youthful enthusiasm as she introduces him to the path of life and entertains him with outlandish stories about her past life. But when he discovers Elsa's terminally ill, Fred decides to accompany her on the trip of her dreams to the eternal city of Rome to help her fulfil a lifelong ambition.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

"A" Camera Operator:
Grayson Austin

"B" Camera Operator:
Doug Schwartz

ADR Recordist:
Scott Brewster

Additional Camera:
Michael Applebaum

Additional Second Assistant Director:
J.J. Dalton

Art Department Assistant:
Jessica Alejandra Ochoa

Art Department Coordinator:
Marisa Creed

Art Direction:
Christina Eunji Kim

Assistant Art Director:
Shannon de Vergnette

Assistant Editor:
Alex Anstey
William Blunden

Assistant Makeup Artist:
Amy C. Weinberg

Assistant Production Coordinator:
Diane Ward

Assistant Property Master:
Alexandra Capps

Assistant Set Decoration:
Lisa Kutyreff

Associate Producer:
Cesar Canavati
Luigi Mira
Eduardo Zarazua
Carlos Garcia de Paredes
Alejandro Itkin
Meg Dudley

Best Boy Electric:
Gonzalo Gonzalez
Chad Vanko

Boom Operator:
Jimmy Armstrong
Marco Lassalaz

Casting:
Sharon Howard-Field
Ronnie Yeskel

Co-Executive Producer:
Margot Hand
Patrick Murray

Co-Producer:
Artist W. Robinson
Justin Bell

Costume Designer:
Gary Jones

Costume Supervisor:
Caryn Frankenfield

Digital Imaging Technician:
Stephen Fouasnon
Sandro Magliano

Director:
Michael Radford

Director of Photography:
Michael McDonough

Dolly Grip:
Brad Heiner

Editor:
Peter Boyle

Electrician:
Sergio Villegas
Trenton McRae
Joshua Anderson
Luis Martinez
Chris Flowers
Leonardo Beltrame
Roberto Calfapietra

Executive Producer:
Carsten H.W. Lorenz
Angel Losada Moreno
Osvaldo Ríos
Jason Hewitt
Aaron L. Gilbert
Gary Preisler
Rob Weston
Lane Sisung
James Gibb

First Assistant "A" Camera:
Keith Pokorski

First Assistant "B" Camera:
Troy Wagner
Zachary Sieffert
Bryan Ellison

First Assistant Director:
Artist W. Robinson

Foley Artist:
Dave DeCoster

Foley Mixer:
Leobardo Ledon

Gaffer:
Allen Parks
Stefano Marino

Grip:
Giovanni Bommarito
Kiya Maggio
Joe Sökmen
Jared Wilcox
Ned Blouin

Key Costumer:
Christy Hebert

Key Grip:
Charles 'Tom' Hinson
Tommaso Mele

Key Hair Stylist:
Theresa A. Fleming

Key Makeup Artist:
Hailey Authement

Leadman:
Paul Blanchard

Location Manager:
John Jabaley

Location Scout:
Johnny Eastlund

Makeup Department Head:
Lauren Thomas

Music Coordinator:
Chris Piccaro

Music Supervisor:
Andy Ross

On Set Dresser:
Heather La Kor

Online Editor:
Hector Toro
Jason Ourso

Original Film Writer:
Marcos Carnevale
Marcela Guerty
Lily Ann Martin

Original Music Composer:
Luis Bacalov

Post Production Supervisor:
Jerry Gilbert

Producer:
Matthias Emcke
Edward Saxon
Nicolas Veinberg
Matthias Ehrenberg
José Levy
Ricardo Kleinbaum

Production Accountant:
Todd Crockett

Production Coordinator:
Matt DiFranco

Production Design:
Stephanie Carroll

Production Supervisor:
Brendan Garst

Property Master:
Leonard Marchand

Rigging Gaffer:
Jarrid Clinkinbeard

Rigging Grip:
Scott Calcagno

Score Engineer:
Goffredo Gibellini

Scoring Mixer:
Goffredo Gibellini

Screenplay:
Michael Radford
Anna Pavignano

Script Supervisor:
Mary Frances Eglin

Seamstress:
Aurora Knox
Angela Beale

Second Assistant Director:
Deanna Stadler

Second Second Assistant Director:
Steve Lonano

Second Unit Director of Photography:
Doug Schwartz

Set Costumer:
Colin Wilkes
Shonta T. McCray

Set Decoration:
Alice Baker

Set Dresser:
David Lee Toth
Michael O'Sullivan
Greg Harney
Durel Yates
Barker White

Sound Mixer:
Richard Schexnayder
Fabio Felici

Sound Re-Recording Mixer:
Jason Dotts
Jerry Gilbert

Special Effects:
Claire Sanchez

Special Effects Coordinator:
Ken Speed

Stand In:
Michelle DeVito
Joseph Uzzell
Jamie Jones

Still Photographer:
Michele K. Short

Stunt Coordinator:
Stanton Barrett

Unit Production Manager:
Carsten H.W. Lorenz
Jason Hewitt

Utility Sound:
Jamey Osborne
Marc Uddo
Eric Ledet

Utility Stunts:
William Scharpf
Matt J. Thompson
Charlie Picerni
Janene Carleton
Danny Cosmo
Jimmy Romano
Jeff Milburn
Mark Norby
Regis Harrington
Freddie Poole

Visual Effects Supervisor:
Morgan Krutz

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.