A work in constant progress (and occasional regress).
Release Date:
August 21, 1985
Original Title:
Strictement personnel
Genres:
Thriller
Production Companies:
La Film Compagnie
Production Countries:
France
Ratings / Certifications:
N/A
Runtime: 90
The crimes and tragedies that tear apart one family seem overblown in the telling, yet this psychological drama about the miseries of one French policeman is compelling throughout. Jean (Pierre Arditi) is a cop and also a failed novelist who was abandoned by his father, brother, and sister after his mother died. The trio move to Paris where they set up an art scam that nets them considerable cash -- something Jean begins to figure out when he joins them for a family reunion. Little by little, he learns that his father is an expert forger, his stepmother's art gallery seems to be involved in the scam, his brother is a derelict and into drugs, his stepmother is a hooker in addition to all of this, and his sister runs an exercise gym for keeping prostitutes in shape. Things get worse -- just when everything seems bad enough, the stepmother is murdered and it is up to Jean to find the killer.
Assistant Camera:
Éric Guichart
Gérard Mercier
Assistant Director:
Jean-Claude Marchant
Fabrice Roche
Assistant Editor:
Agnès Mouchel
Assistant Sound Engineer:
Francis Baldos
Camera Operator:
Patrick Blossier
Costumer:
Magali Bassenne
Director:
Pierre Jolivet
Director of Photography:
Christian Lamarque
Editor:
Nelly Quettier
Executive Producer:
Yvan Valensi
Michelle de Broca
Music:
Serge Perathoner
Producer:
Simona Benzakein
Pierre Jolivet
Production Manager:
Yannick Bernard
Ginette Mejinsky
Property Master:
Philippe Fabre
Script Supervisor:
Sylvie Koechlin
Set Decoration:
Christian Grosrichard
Sound Engineer:
Yves Osmu
Sound Re-Recording Mixer:
Gérard Lamps
Still Photographer:
Patrick Camboulive
Catherine Gauthier
Writer:
Bernard Balavoine
Christiane Krüger
Luc Béraud
Pierre Jolivet
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.