A work in constant progress (and occasional regress).
Release Date:
February 16, 2015
Original Title:
The Gunman
Alternate Titles:
Gunman: El objetivo
Le tireur
O Franco Atirador
The Gunman
Ганмен
Ґанмен
卧底枪手
Genres:
Action | Crime | Drama
Production Companies:
Anton Capital Entertainment
Canal+
ICEC
Nostromo Pictures
Prone Gunman
Prone Gunman A.I.E.
Silver Pictures
StudioCanal
TF1 Films Production
Production Countries:
France | Spain | United Kingdom | United States of America
Ratings / Certifications:
AR: 16 BR: 16 DE: 16 FR: 12 GB: 15 GR: 15 HU: 16 IE: 15 IT: T JP: PG12 LT: N-16 NL: 16 NO: 15 NZ: 16 RU: 18+ US: R
Runtime: 115
Eight years after fleeing the Congo following his assassination of that country's minister of mining, former assassin Jim Terrier is back, suffering from PTSD and digging wells to atone for his violent past. After an attempt is made on his life, Terrier flies to London to find out who wants him dead -- and why. Terrier's search leads him to a reunion with Annie, a woman he once loved, who is now married to an oily businessman with dealings in Africa.
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ADR Mixer:
Peter Gleaves
Aerial Director of Photography:
Adam Dale
Armorer:
Adam Goodall
Nick Jeffries
Art Department Coordinator:
Joan Sabaté
Art Direction:
Gemma Fauria
Sylvia Steinbrecht
Marina Pozanco
Christophe Dalberg
Associate Producer:
Stephen Bender
Carmel Musgrove
Ethan Erwin
Boom Operator:
Jorge Adrados
Casting:
Reg Poerscout-Edgerton
Co-Producer:
Adam Kuhn
Alex Heineman
Ray Kybartas
Costume Coordinator:
Nuria Pascual-Andújar
Costume Design:
Jill Taylor
Costume Supervisor:
Cristina Sopeña
Dialect Coach:
William Conacher
Dialogue Editor:
Davide Favargiotti
Director:
Pierre Morel
Director of Photography:
Flavio Martínez Labiano
Editor:
Frédéric Thoraval
Executive Producer:
Peter McAleese
Aaron Auch
Olivier Courson
Steve Richard
Adrián Guerra
Fight Choreographer:
Markos Rounthwaite
Steve McQuillan
First Assistant Camera:
Jordi Florensa
Álvaro Fernández Puig
Imanol Nabea
First Assistant Director:
Raymond Kirk
First Assistant Editor:
Emanuele Giraldo
Andrew Walton
Foley Artist:
Andrea King
Jack Stew
Foley Editor:
Hugo Adams
Gaffer:
José Luis Rodríguez
Hair Designer:
Graham Johnston
Hairstylist:
Paul Job
Bret Mayo
Manolo García
Key Costumer:
Eva Salas
Key Grip:
Salva Castellarnau
Javier González Leonardo
Line Producer:
Sally French
Location Manager:
Tim Maw
Makeup Artist:
Francesca Van Der Feyst
Ana Lozano
Caitlin Acheson
Vivienne Simpson
Makeup Designer:
Graham Johnston
Modeling:
Justi Romero
Music Editor:
John Warhurst
Music Supervisor:
Bastide Donny
Novel:
Jean-Patrick Manchette
Orchestrator:
Matt Dunkley
Original Music Composer:
Marco Beltrami
Pilot:
Marc Wolff
Post Production Assistant:
Leopold Hughes
Producer:
Sean Penn
Ron Halpern
Andrew Rona
Production Coordinator:
Asia Jarzyna
Marta del Río
Production Design:
Andrew Laws
Production Sound Mixer:
Colin Nicolson
Property Master:
Dave Fisher
Héctor Gil
Screenplay:
Pete Travis
Don MacPherson
Sean Penn
Script Supervisor:
Morag Cameron
Set Costumer:
Inge Hough
Anna Izquierdo
Set Decoration:
Anneke Botha
Set Designer:
Florian Müller
Sound Designer:
Paul Carter
Sound Editor:
Frédéric Dubois
Sound Effects Designer:
Rob Prynne
Sound Recordist:
Biel Cabré
Special Effects Makeup Artist:
Nathaniel De'Lineadeus
Chris Lyons
Special Effects Supervisor:
Pau Costa
Still Photographer:
Keith Bernstein
Joe Alblas
Stunt Coordinator:
Glenn Foster
Jordi Casares
Stunt Double:
Antonio Arnalte
Zarene Dallas
Levan Doran
Supervising Art Director:
Stuart Kearns
Supervising Dialogue Editor:
Michael Maroussas
Title Designer:
Nic Benns
Visual Effects Coordinator:
Kevin Sheldon Saldanha
Shreyas Dorwat
Devika Kawle
Vinay Karunakar
Mohak Sharma
Mehul Jhaveri
Visual Effects Editor:
Andy Hague
Visual Effects Producer:
Rachel Wheeler
Visual Effects Supervisor:
Jon Thum
Stuart Lashley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.