A work in constant progress (and occasional regress).
Release Date:
July 1, 2015
Original Title:
Magic Mike XXL
Alternate Titles:
Bez kalhot XXL
Magic Mike 2
Magiskasis Maikas XXL
Maģiskais Maiks XXL
Super-Mike XXL
Vroči Mike XXL
Професия: Стриптийзьор 2
Супер Майк XXL
Чаробни Мајк XXL
マジック・マイクXXL
舞力麥克:尺度極限XXL
魔力麦克2
매직 마이크 2
Genres:
Comedy | Drama
Production Companies:
Iron Horse Entertainment
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 AU: MA15+ CZ: 15+ DE: 12 ES: 18 FR: 10|18 HU: 18 IE: 15 JP: R18+ KR: 18 NL: 12 PL: 18 PT: M/12 RO: 15 SE: 15 US: R
Runtime: 115
Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.
ADR Editor:
Billy Theriot
ADR Mixer:
Thomas J. O'Connell
Accounting Clerk Assistant:
Jose Cadenas
Additional Colorist:
Roman Hankewycz
Additional Second Assistant Director:
Justin Dybowski
Art Department Assistant:
Megan Fowler
Art Department Coordinator:
David Ryder
Art Direction:
Eric R. Johnson
Assistant Accountant:
Cynthia H. Margulis
Assistant Art Director:
Dee Blackburn
Bill King
Assistant Chief Lighting Technician:
Felix Rivera
Assistant Costume Designer:
Felicia Leilani Jarvis
Assistant Editor:
Mae Sussman
Assistant Location Manager:
Trey Neely
Aubrey DeVaney
Beth Nelson
Jody Schiesser
Assistant Production Coordinator:
Parvaneh Mireille
Assistant Property Master:
Luci Wilson
Assistant Sound Editor:
Michael Gilbert
Associate Editor:
Corey Bayes
Associate Producer:
Elaine Mongeon
Best Boy Grip:
Brandon Cundiff
Boom Operator:
Shawn Allen
Camera Operator:
Duane Manwiller
Casting:
Carmen Cuba
Casting Assistant:
Julia Ballou
Casting Associate:
Yesi Ramirez
Catering:
John Deaderick
Characters:
Reid Carolin
Chief Lighting Technician:
Peter Walts
Jamie Baglio
Choreographer:
Alison Faulk
Teresa Espinosa
Luke Broadlick
Co-Producer:
Julie M. Anderson
Colorist:
Joe Gawler
Construction Coordinator:
Thomas A. Morris Jr.
Costume Assistant:
Dagmarette Yen
Costume Design:
Christopher Peterson
Costume Supervisor:
Hartsell Taylor
Patricia Peppard
Dialogue Editor:
Matt Coby
Digital Intermediate:
Justin Scutieri
Digital Intermediate Producer:
Molle DeBartolo
Director:
Gregory Jacobs
Director of Photography:
Steven Soderbergh
Dolly Grip:
Paul Threlkeld
Kenny Davis
Dresser:
Michael S. Porter
Robert Lee Church
Scott A. Lawson
Editor:
Steven Soderbergh
Executive Producer:
Steven Soderbergh
Extras Casting:
Chad Darnell
Extras Casting Assistant:
Bradley Clark
First Assistant "A" Camera:
Chris Silano
First Assistant "B" Camera:
P.K. Munson
First Assistant Accountant:
Mark Ver Ploegh
First Assistant Director:
Jody Spilkoman
Foley Artist:
Alicia Stevenson
Dawn Fintor
Foley Mixer:
David Jobe
Graphic Designer:
Tiffany Apple Keenan
Greensman:
Henry Dando
Steffan Taube
Grip:
Leslie Gordon
Eric Townsend
Hair Department Head:
Melissa Yonkey
Hairstylist:
Marcia Hamilton
T.A. Henderson
Key Costumer:
Deborah Zimmerman
Key Grip:
John Joseph Minardi
Key Hair Stylist:
Jose Zamora
Key Makeup Artist:
Felicia Linsky
Key Scenic Artist:
Greg Schmitz
Key Set Production Assistant:
Teri J. Barber
Leadman:
Ernest M. Sanchez
Lighting Technician:
Josh Quick
Benjamin Baggott
Jeff Sterner
Loader:
Matthew Dixon
Local Casting:
Jaime Harlan
Location Assistant:
Rachel Nelson
Location Manager:
Ken Lavet
Makeup Artist:
Randi Owens Arroyo
Renee Goodwin
Ashleigh Chavis
Makeup Department Head:
Elisa Marsh
Medical Consultant:
Floyd E. Justice Jr.
Music Coordinator:
Becca Luce
Music Supervisor:
Season Kent
On Set Dresser:
Brody Docar
Payroll Accountant:
Cathy Marshall-Hart
Post Production Assistant:
David Schuman
Post Production Supervisor:
David Kirchner
Producer:
Reid Carolin
Nick Wechsler
Gregory Jacobs
Channing Tatum
Production Accountant:
Cyndy Fujikawa
Production Coordinator:
Michael P. Twombly
Production Design:
Howard Cummings
Production Secretary:
Julia Pechanek
Production Supervisor:
Mika Saito
Property Master:
Gillian Albinski
Propmaker:
Jonathan Fenin
Frank J. Hart
Jeffrey N. Weeks
Mark A. Austin
James Gallarini
Thompson G. Conrade
Lance Carter
Todd Bryan Noonan
Sara Bettinger
Scenic Artist:
Laura C. McPherson
Nicole T. Strojny
Chris Bogart
Second Assistant "A" Camera:
Troy Sola
Second Assistant "B" Camera:
Max Deleo
Second Assistant Accountant:
Shanna Morrow
Second Second Assistant Director:
Megan Schmidt
Security:
David Zerbib
Mark Assad
Set Costumer:
Candace Kualii
Set Decoration:
Barbara Munch
Set Decoration Buyer:
Valerie Jo Van Norte
Set Dresser:
Robert Lee Church
Scott A. Lawson
Sound Re-Recording Mixer:
Larry Blake
Sound mixer:
Dennis Towns
Special Effects Coordinator:
Patrick Edward White
Morgan Rogers
Still Photographer:
Claudette Barius
Stunt Coordinator:
R.A. Rondell
Stunt Driver:
Allan Padelford
Stunts:
Daniel Hargrave
Supervising Sound Editor:
Larry Blake
Tailor:
Tara Hawks Nyanga
Transportation Captain:
Kevin Loding
Samuel Wayne Beitz
Transportation Coordinator:
Shane Greedy
Travel Coordinator:
Heather Gothie
Unit Production Manager:
Julie M. Anderson
Unit Publicist:
Spooky Stevens
Utility Sound:
Chris Isaac
VFX Artist:
Daniel Rao
Visual Effects Producer:
Parker Chehak
Rebecca Dunn
Visual Effects Supervisor:
John Bair
Vocal Coach:
Eric Vetro
Writer:
Reid Carolin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.