A work in constant progress (and occasional regress).
Release Date:
November 8, 2002
Original Title:
El Alamein - La linea del fuoco
Alternate Titles:
Bitwa El Alamein
El Alamein
El Alamein - A tűzvonal
El Alamein - La linea del fuoco
El Alamein - The Line of Fire
El Alamein 1942 - Die Hölle des Wüstenkrieges
El Alamein: Bond of Honour
Битва за Эль-Аламейн
炎の戦線 エル・アラメイン
Genres:
Action | Drama
Production Companies:
Cattleya
Costumi d'Arte
Czech National Symphony Orchestra
Kurt Media
Medusa Distribuzione
Medusa Film
Medusa Video
MiC
Pandastorm Pictures
Premium Cine
Tele+
Production Countries:
Italy | Morocco
Ratings / Certifications:
DE: 16 DK: 11 FR: 12 HU: 12 IT: T JP: PG12 US: PG-13
Runtime: 117
War seen through the eyes of Serra, a university student from Palermo who volunteers in 1942 to fight in Africa. He is assigned to the Pavia Division on the southern line in Egypt. Rommel and the Axis forces are bogged down; it's October, the British prepare an offensive. At first, boredom, heat, hunger, and thirst bedevil the Italians; then the Brits attack, and there's no luck or heroism in death. Finally, it's retreat in confusion. Serra, his sergeant Rizzo, and his lieutenant Fiori take a last walk toward home. It's said that each soldier gets three miracles; when Serra's are used up, what then?
Assistant Art Director:
Gianpaolo Rifino
Assistant Costume Designer:
Pilar Salgado
Assistant Director:
Caterina Barenghi
Giacomo Lesina
Assistant Editor:
Roberto Martucci
Eleonora Quaglia
Assistant Production Design:
Barbara Cicero
Boom Operator:
Adriano Di Lorenzo
Casting:
Béatrice Kruger
Cinematography:
Daniele Nannuzzi
Costume Design:
Vincenzo Mastrantonio
Andrea Viotti
Digital Compositor:
Carlo Scaduto
Digital Intermediate:
David Bush
Walter Volpatto
Ippolito Simion
Director:
Enzo Monteleone
Editor:
Cecilia Zanuso
Focus Puller:
Martino Tagliaferri
Grip:
Cesare Pascarella
Head Carpenter:
Alma Barbieri
Intern:
Norma Rivero
Key Hair Stylist:
Zineb Bendoula
Mauro Tamagnini
Line Producer:
Pino Butti
Makeup Artist:
Zhor Bennani
Makeup Designer:
Vincenzo Mastrantonio
Music:
Pivio
Aldo De Scalzi
Music Coordinator:
Joshua Berman
Musician:
Stefano Cabrera
Orchestrator:
Angelo Giovagnoli
Post Production Supervisor:
Simona De Laurentiis
Producer:
Marco Chimenz
Riccardo Tozzi
Giovanni Stabilini
Production Coordinator:
Giorgia Passarelli
Production Design:
Ettore Guerrieri
Production Manager:
Gianluca Leurini
Recording Supervision:
Roberto Moroni
Scoring Mixer:
Goffredo Gibellini
Screenplay:
Enzo Monteleone
Second Assistant Director:
Matteo Albano
Second Unit Director:
Renato Longi
Set Decoration:
Ettore Guerrieri
Sound Editor:
Alessandra Perpignani
Sound Effects:
Luciano Anzellotti
Sound Effects Editor:
Massimo Anzellotti
Luca Anzellotti
Sound Recordist:
Andrea Moser
Special Effects:
Giancarlo Mancini
Special Effects Technician:
Luca Ricci
Story:
Enzo Monteleone
Storyboard Artist:
David Orlandelli
Stunts:
Mauro Balmas
Technical Supervisor:
Michele Fabbro
Transportation Coordinator:
Abdenabi Izlaguen
Unit Manager:
Roberto Leone
Unit Production Manager:
Corrado Sofia
Marco Greco
Visual Effects:
Sergio Cremasco
Visual Effects Editor:
Steve Shaw
Visual Effects Supervisor:
Renato Longi
Writer:
Enzo Monteleone
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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