A work in constant progress (and occasional regress).
Release Date:
December 12, 1997
Original Title:
Deconstructing Harry
Alternate Titles:
Desconstruindo Harry
Desmontando a Harry
Harry a pezzi
Harry bit for bit
Harry dans tous ses états
解構愛情狂
해리 파괴하기
Genres:
Comedy | Drama
Production Companies:
Jean Doumanian Productions
Magnolia Productions
Sweetland Films
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 CZ: 15+ FR: U US: R
Runtime: 96
Writer Harry Block draws inspiration from people he knows, and from events that happened to him, sometimes causing these people to become alienated from him as a result.
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Art Department Coordinator:
Glenn Lloyd
Art Direction:
Tom Warren
Assistant Costume Designer:
Debra Tennenbaum
Patrick Chevillot
Lars Andersen
Juliet Ouyoung
Assistant Editor:
William Kruzykowski
Mark Livolsi
Assistant Production Coordinator:
Bronwen Epstein
Assistant Sound Editor:
Nancy Allen
Benjamin Cheah
David Wahnon
Best Boy Electric:
Jack Coffen
Best Boy Grip:
Edward J. Egan III
Boom Operator:
Anthony Ortiz
Cableman:
Toussaint Kotright
Camera Operator:
Michael Green
Camera Trainee:
A. Lee Morris
Casting:
Juliet Taylor
Casting Associate:
Patricia Kerrigan DiCerto
Co-Executive Producer:
Jack Rollins
Letty Aronson
Charles H. Joffe
Co-Producer:
Richard Brick
Construction Coordinator:
Ron Petagna
Costume Design:
Suzy Benzinger
Craft Service:
Joe Facey
Creative Consultant:
Dennis Muren
Dialogue Editor:
Sylvia Menno
Digital Compositor:
Greg Maloney
Director:
Woody Allen
Director of Photography:
Carlo Di Palma
Dolby Consultant:
Bradford L. Hohle
Editor:
Susan E. Morse
Executive Producer:
J.E. Beaucaire
Extras Casting:
Sylvia Fay
Fleet Emerson
First Assistant Camera:
Gary Muller
First Assistant Director:
Richard Patrick
Foley Artist:
Marko Costanzo
Foley Editor:
Kam Chan
Foley Supervisor:
Bruce Pross
Gaffer:
Michael Proscia Jr.
Hairstylist:
Romaine Greene
Peggy Nicholson
Head Carpenter:
Frank Didio
Key Construction Grip:
Vincent Guarriello
Key Grip:
Robert Ward
Key Scenic Artist:
James Sorice
Location Assistant:
Diane Howells
Justin Reinsilber
Marcy Shaffer
Location Manager:
Drew Dillard
Location Scout:
Joseph Zolfo
Ken Halsband
Tom Yeager
Makeup Artist:
Rosemary Zurlo
Margot Boccia
Post Production Supervisor:
Linda Saffire
Producer:
Jean Doumanian
Producer's Assistant:
David DiCerto
Production Coordinator:
Shell Hecht
Production Design:
Santo Loquasto
Production Intern:
Jeremy Strong
Production Manager:
Charles Darby
Production Secretary:
Michael P. Fox
Production Sound Mixer:
Les Lazarowitz
Projection:
Carl Turnquest
Property Master:
Peter Gelfman
Rotoscoping Artist:
Tami Carter
Cathy Burrow
Katharine Baird
Scenic Artist:
Cliff Schorr
Screenplay:
Woody Allen
Script Supervisor:
Kay Chapin
Second Assistant Camera:
David E. Baron
Second Assistant Director:
Lisa M. Rowe
Set Decoration:
Susan Kaufman
Elaine O'Donnell
Set Dresser:
Daniel K. Grosso
Sound Re-Recording Mixer:
Lee Dichter
Special Effects Coordinator:
John Ottesen
Still Photographer:
John Clifford
Supervising Sound Editor:
Robert Hein
Transportation Captain:
Edward Iacobelli
Visual Effects Coordinator:
Janet Lewin
Visual Effects Editor:
Greg Hyman
Visual Effects Producer:
Camille Geier
Visual Effects Supervisor:
Thomas Rosseter
Wardrobe Supervisor:
Kevin P. Faherty
Melissa Stanton
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.