A work in constant progress (and occasional regress).
Release Date:
February 16, 1982
Original Title:
An Unsuitable Job for a Woman
Genres:
Drama | Mystery | Thriller
Production Companies:
Boyd's Company
Carolina Bank
Goldcrest
National Film Finance Corporation (NFFC)
Production Countries:
United Kingdom
Ratings / Certifications:
GB: 15
Runtime: 94
After finding her boss, a private detective, has committed suicide and has left her his agency, Cordelia Gray is asked to investigate the suicide of the man's son. During the course of her investigation, Cordelia becomes obsessed with the young man's memory and his increasingly suspicious death.
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Art Direction:
John Beard
Assistant Camera:
David Johnson
Nick Schlesinger
Assistant Director:
Melvin Lind
Waldo Roeg
Assistant Editor:
Michael John Bateman
Phil Sanderson
Jupiter Sen
Associate Producer:
David Barber
Corinne Cartier
Boom Operator:
Dushko Indjic
Camera Operator:
Russell Murray
Casting:
Irene Lamb
Construction Manager:
Geoff Kingsley
Continuity:
Caroline Sax
Costume Designer:
Marit Allen
Director:
Chris Petit
Director of Photography:
Martin Schäfer
Editor:
Mick Audsley
Electrician:
Ronnie Rampton
Executive Producer:
Don Boyd
First Assistant Director:
Scott Wodehouse
Hairdresser:
Stephanie Kaye
Location Manager:
Hugh O'Donnell
Makeup Artist:
Lindy Shaw
Music:
Mark Isham
Philip Bagenal
Peter Van Hooke
Chaz Jankel
Novel:
P. D. James
Producer:
Michael Relph
Peter McKay
Production Accountant:
Michael Larkins
Production Design:
Anton Furst
Production Manager:
Peter Jaques
Property Master:
Derek Creedon
Sound Editor:
Rodney Holland
Sound Mixer:
Paul Carr
Brian Paxton
Sound Recordist:
Edward Tise
Wardrobe Master:
Catherine Halloran
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.