A work in constant progress (and occasional regress).
Featuring:
Jean-Luc Godard
Written by:
Jean-Luc Godard
Anne-Marie Miéville
Directed by:
Jean-Luc Godard, Anne-Marie Miéville
Release Date:
September 15, 1976
Original Title:
Ici et Ailleurs
Alternate Titles:
Here and Elsewhere
Genres:
Documentary | War
Production Companies:
Gaumont
Sonimage
Production Countries:
France | Jordan
Ratings / Certifications:
N/A
Runtime: 60
"Here is a family of average French people in front of their television. Elsewhere, they are Palestinian fighters filmed before the massacres of Black September." (JLG, 1976). "We came here to study this: to learn, to learn lessons, if possible to record these lessons, to then broadcast them here, or elsewhere in the world. Almost a year ago, two of us came to investigate the Democratic Front. Then another went to Fath. We read the texts and programs. As French Maoists, we decided to make the film with Fath whose title is Until Victory. We let the Palestinians , during the film, themselves say the word: "Revolution". But the true title of the film is Methods of Thought and Work of the Palestinian Liberation Movement." (JLG, Manifesto, July 1970)
The movie incorporates footage of fedayeens taken for an aborted pro-Palestinian film which had been abandoned when subjects were killed. Here and Elsewhere takes its name from the footage it shows of the fedayeens and of a French...
Director:
Jean-Luc Godard
Jean-Pierre Gorin
Anne-Marie Miéville
Director of Photography:
William Lubtchansky
Armand Marco
Editor:
Anne-Marie Miéville
Original Music Composer:
Jean Schwarz
Producer:
Anne-Marie Miéville
Jean-Luc Godard
Jean-Pierre Rassam
Translator:
Elias Sanbar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.