A work in constant progress (and occasional regress).
Release Date:
January 19, 2014
Original Title:
The Town That Came A-Courtin'
Alternate Titles:
Comme dans un roman
When Love Came To Town
Genres:
Comedy | Romance | TV Movie
Production Companies:
Five Smooth Stones Productions
Odyssey Media
Paulist Productions
Remember Dreaming Productions
The Cartel
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 90
Abby, obituary writer turned author, is used to making up quirky, charming characters in her books, but here in Bliss it almost seems like those characters have sprung to life, and Abby is fantasizing about moving right in. The townspeople have set their matchmaking minds in motion and they aren't about to let Abby leave without a little love in her heart.
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"A" Camera Operator:
Curtis Petersen
"B" Camera Operator:
Gabriel Medina
ADR Editor:
Gord Hillier
ADR Recordist:
Jeff Grout
Additional Photography:
Anthony C. Metchie
Animal Coordinator:
Steve Woodley
Animal Wrangler:
Darcy Woodley
Assistant Costume Designer:
Erin da Roza
Assistant Editor:
Joseph Fisher
Assistant Location Manager:
Glen Brooks
Assistant Production Coordinator:
Elana Durtnall
Assistant Property Master:
Chris Van Loo
Assistant Set Decoration:
Bob Bottieri
Associate Producer:
Barbara Chisholm
Best Boy Electric:
Will Houston
Best Boy Grip:
Quinton Lai
Book:
Ronda Rich
Boom Operator:
Martin Mitchell
Casting:
Bim Narine
Casting Associate:
Kate Bateman
Colorist:
Alissa Roode
Costume Design:
Claudia Da Ponte
Costume Set Supervisor:
Erin da Roza
Craft Service:
Darlene Staples
Dialogue Editor:
Aaron Olson
Director:
David Winning
Director of Photography:
Curtis Petersen
Dolly Grip:
Quinton Lai
Editor:
Sabrina Pitre
Executive Producer:
Kirk Shaw
Peter Hogendoorn
Stan Spry
Rich Middlemas
Keith Shaw
Devi Singh
Rob Straight
Eric Andrews
Eric Scott Woods
Lauren Holly
Alexandra Julson
Marybeth Sprows
Valerie Harper
Extras Casting:
Annette McCaffrey
First Assistant "A" Camera:
Pavel G. Pineda
First Assistant "B" Camera:
Guillermo Álvarez Villaescusa
First Assistant Director:
Paul Turner
First Assistant Production Coordinator:
Robyn Wiener
Foley Artist:
Maureen Murphy
Foley Editor:
Chris Fairfield
Foley Recording Engineer:
Chris Fairfield
Gaffer:
Joe Green
Grip:
Andrew Willig
Barry Newton
Hairstylist:
Amber Kemper
Key Grip:
Charles Gould
Key Hair Stylist:
Lee Novak
Key Makeup Artist:
Lisa Waddell
Line Producer:
Scott Cramer
Navid Soofi
Jonathan DuBois
Location Manager:
Thierry Tanguy
Makeup & Hair:
Malin Sjostrom
Music:
Paul Michael Thomas
Online Editor:
Kevin Reid
Post Production Supervisor:
Gary Porter
Producer:
Kirk Shaw
Production Accountant:
Valentina Carp
Production Coordinator:
Barbara Chisholm
Production Design:
Brian Davie
Production Manager:
Barbara Chisholm
Property Master:
Clive Edwards
Script Supervisor:
Sandra Montgomery
Second Assistant "A" Camera:
Austin Mollins
Second Assistant "B" Camera:
Jordon Baker
Second Assistant Director:
Marijke Richman
Set Decoration:
La Vonne Girard
Set Dresser:
Brennan Young
Andie Weikert
Steven Hoffart
Sound Designer:
Don Mann
Sound Editor:
Chris Fairfield
Sound Engineer:
Jeff Grout
Sound Mixer:
Scott Aiken
Sound Re-Recording Mixer:
Don Mann
Greg Stewart
Sound Supervisor:
Chris Fairfield
Steadicam Operator:
Curtis Petersen
Tammy Jones
Still Photographer:
Chris Large
Stunt Coordinator:
Colby Chartrand
Third Assistant Director:
Alex Burnett
Transportation Captain:
Ghilas Aiteur
Cliff Brown
Transportation Coordinator:
Dean Fitzpatrick
Truck Costumer:
Natalya Lazarich
Unit Publicist:
Lesley Diana
Writer:
Sheryl J. Anderson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.