A work in constant progress (and occasional regress).
Release Date:
July 22, 1994
Original Title:
El dirigible
Genres:
Comedy | Crime | Drama | History
Production Companies:
Film4 Productions
Instituto Nacional del Audiovisual
Nubes Montevideo
Prefeitura Municipal de Porto Alegre
Production Countries:
Cuba | France | Mexico | United Kingdom | Uruguay
Ratings / Certifications:
N/A
Runtime: 80
A French woman arrives in Montevideo, to meet poet Juan Carlos Onetti and investigate the story of the city. She is intrigued by the photograph of the day when president Bordaz was killed and a zeppelin flew above the city at the turn of the century. She is helped by a photographer and both fall into a police intrigue.
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Art Department Assistant:
Silvia Bervejillo
Matias Bervejillo
Art Direction Intern:
Roberto Lena
Dogomar Martínez
Assistant Director:
Andrea Pollio
Pablo Gutiérrez
Boom Operator:
Germán Cabillón
Camera Operator:
Pablo Dotta
Nelson Wainstein
Camera Production Assistant:
Jorge Piñon
Alberto Nuñez
Antonio Rodríguez
Clapper Loader:
Matias Risi
Continuity:
Sonia Karpiuk
Costumer:
Andrea Villar
Francisca Zorrilla
Director:
Pablo Dotta
Director of Photography:
Miguel Abal
Editor:
Samuel Larson
Editorial Production Assistant:
Adriana García
Martín Fuentes
Menahem Peña
Electrician:
Oscar Pozzoli
Alvaro Cuevas
Fernando Calvete
Martin Spina
Dario Alonso
Focus Puller:
Ernesto Musitelli
Gaffer:
César Sarti
Key Grip:
Osorio Da Rocha
Alberto Soullier
Makeup & Hair:
Claudia Lorenzo
Alejandra Rey
Music:
Fernando Cabrera
Producer:
Mariela Besuievsky
Producer's Assistant:
Ana Camarero
Teresa Steneri
Carlos Huart
Production Coordinator:
Andrea Gentile
Production Design:
Ronaldo Lena
Production Director:
Nancy Ledo
Sound:
Carlos Dominguez
Sound Director:
Samuel Larson
Sound Editor:
Aurora Ojeda Coronado
Special Effects:
Daniel Villar
Still Photographer:
Fabián Oliver
Writer:
Pablo Dotta
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.