A work in constant progress (and occasional regress).
Release Date:
February 22, 2014
Original Title:
Status: Unknown
Genres:
Crime | Mystery | TV Movie | Thriller
Production Companies:
Active Entertainment
Lifetime
Production Countries:
United States of America
Ratings / Certifications:
US: PG-13
Runtime: 86
After a lively high school reunion, Jessica and Cynthia reconnect with their childhood friend Karen and vow to stay in close communication online. After a year of cheerful daily status updates, Karen begins to post some strange updates to her life. When Jessica tries to call Karen to let her know that she and Cynthia will be in town for the week she is unable to reach her. Sensing something may be seriously wrong, Jessica tracks down Karen's husband Paul to find out where her friend is. Paul tells her that Karen ran off to Hawaii due to marriage issues but Jessica is convinced he is lying. But when random status posts begin showing up on Karen's page, Jessica suspects that someone else might be behind it...
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ADR Recordist:
Martin Quiñones
Casting:
Dean E. Fronk
Donald Paul Pemrick
Costume Design:
Sally Smith
Costume Supervisor:
Suzanne M.B. Chambliss
Dialogue Editor:
Paul B. Knox
Director:
Vanessa Parise
Director of Photography:
Andy Strahorn
Editor:
Misty Talley
First Assistant Director:
Brian O'Sullivan
Foley Artist:
Jesse Kees
Key Hair Stylist:
Allison Shepherd
Makeup Department Head:
Ashley Levy
Music Supervisor:
Keith C. Anderson
Original Music Composer:
Andrew Morgan Smith
Producer:
Kenneth M. Badish
Daniel Lewis
Screenplay:
Marcy Holland
Script Supervisor:
Debbie Estay
Second Assistant Director:
Sean O'Regan
Second Second Assistant Director:
Nicole Tiernan
Sound Effects Editor:
Jesse Kees
Sound Mixer:
Michael Russo
Story:
Griff Furst
Keith Allan
Delondra Williams
Stunt Double:
Deven MacNair
VFX Supervisor:
Blane Granstaff
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.