A work in constant progress (and occasional regress).
Release Date:
October 25, 1972
Original Title:
Pink Floyd: Live at Pompeii
Alternate Titles:
Echoes: Pink Floyd
Pink Floyd
Pink Floyd at Pompeii - MCMLXXII
Pink Floyd at Pompeii MCMLXXII
Genres:
Documentary | Music
Production Companies:
BR
Office de Radiodiffusion Télévision Française
RM Productions Fernseh- und Filmgesellschaft
RTBF
Production Countries:
Belgium | France | Germany
Ratings / Certifications:
AU: PG
Runtime: 64
Stylish film of the British progressive rock band Pink Floyd in 1971 performing a concert with no audience, in the ancient Roman Amphitheater in the ruins of Pompeii, Italy. There are four editions of the film: the original 1972 version with the concert only (60 min.), a longer 1974 theatrical version (85 min.) featuring the concert interspersed with interviews and footage of Pink Floyd in the studio working on their next album, Dark Side of the Moon, the 2003 Director's Cut which added CGI effects to the 1974 version, then finally the 2016 Blu-ray version which re-arranged the song order of the 2003 version.
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Director:
Adrian Maben
Director of Photography:
Gábor Pogány
Willy Kurant
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.