A work in constant progress (and occasional regress).
Release Date:
September 2, 2003
Original Title:
Code 46
Alternate Titles:
Código 46
Koodi 46
Genres:
Drama | Science Fiction | Thriller
Production Companies:
BBC
BBC Film
Kailash Picture Company
MEDIA Programme of the European Union
Metro-Goldwyn-Mayer
Revolution Films
UK Film Council
United Artists
Production Countries:
Belgium | United Kingdom | United States of America
Ratings / Certifications:
DE: 12 GB: 15 NL: 12 US: R
Runtime: 93
In a dystopian future, insurance fraud investigator William Gold arrives in Shanghai to investigate a forgery ring for "papelles", futuristic passports that record people's identities and genetics. Gold falls for Maria Gonzalez, the woman in charge of the forgeries. After a passionate affair, Gold returns home, having named a coworker as the culprit. But when one of Gonzalez's customers is found dead, Gold is sent back to Shanghai to complete the investigation.
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ADR Mixer:
Mark De Simone
Peter Gleaves
Art Direction:
Mark Digby
Denis Schnegg
Casting:
Wendy Brazington
Costume Design:
Natalie Ward
Director:
Michael Winterbottom
Director of Photography:
Alwin H. Küchler
Marcel Zyskind
Editor:
Peter Christelis
Executive Producer:
Robert Jones
David M. Thompson
First Assistant Director:
Michael Elliott
Foley Artist:
Peter Burgis
Andie Derrick
Makeup Artist:
Lesley Smith
Konnie Daniel
Original Music Composer:
Stephen Hilton
David Holmes
Producer:
Andrew Eaton
Production Design:
Mark Tildesley
Screenplay:
Frank Cottrell Boyce
Set Decoration:
Michelle Day
Sound Re-Recording Mixer:
Tim Alban
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.