A work in constant progress (and occasional regress).
Release Date:
February 14, 1985
Original Title:
L'attenzione
Alternate Titles:
Atracción letal
Figyelem
Kiihko
Le Mensonge
The Lie
Un cuerpo que tocar
Yalan
Внимание
鏡の向う側
Genres:
Drama | Romance
Production Companies:
Selvaggia Film
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 87
On the plane back to Rome, a well-known journalist indulges in an unbridled and somewhat melodramatic erotic fantasy involving his estranged wife and his stepdaughter.
Accountant:
Filomena Pietragalla
Administration:
Maria Rosa Bologna
Assistant Editor:
Elvira Tonini
Alessandro Baragli
Assistant Production Design:
Patrizio Ronchi
Boom Operator:
Franco Borni
Camera Operator:
Enrico Sasso
Casting:
Rita Forzano
Conductor:
Natale Massara
Costume Design:
Adriana Spadaro
Director:
Giovanni Soldati
Director of Photography:
Silvano Ippoliti
Editor:
Nino Baragli
First Assistant Camera:
Ettore Corso
First Assistant Director:
Rinaldo Ricci
Foley Artist:
Fernando Caso
Alvaro Gramigna
Gaffer:
Marcello Cardarelli
Hair Department Head:
Agnese Panarotto
Key Grip:
Renato Cinti
Line Producer:
Valentino Signoretti
Makeup Artist:
Goffredo Calisse
Makeup Department Head:
Maurizio Giustini
Novel:
Alberto Moravia
Original Music Composer:
Pino Donaggio
Producer:
Sergio Martinelli
Franco Casati
Production Design:
Marco Dentici
Production Secretary:
Enzo Canaldi
Property Master:
Bruno Ortensi
Adriano Bocchetta
Screenplay:
Leone Colonna
Giovanni Soldati
Rodolfo Sonego
Script Supervisor:
Maria Luisa Merci
Seamstress:
Floriana Scalabrelli
Second Assistant Camera:
Fulvio Martinelli
Second Assistant Director:
Ruth Gross
Sound:
Tommaso Quattrini
Sound Mixer:
Danilo Moroni
Special Effects:
Paolo Ricci
Still Photographer:
Giorgio Garibaldi Schwarze
Unit Manager:
Eutizio Di Salvatore
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.