A work in constant progress (and occasional regress).
Release Date:
January 16, 2015
Original Title:
The Wedding Ringer
Alternate Titles:
Alquiler de padrinos
Padrinhos LTDA.
The Golden Tux
ベストマン シャイな花婿と壮大なる悪夢の2週間
ベストマン シャイな花婿と壮大なる悪夢の2週間
伴郎友沒友
Genres:
Comedy
Production Companies:
LStar Capital
Miramax
Screen Gems
Will Packer Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ BG: C BR: 14 CZ: 18+ DE: 12 DK: 7 ES: 16 FR: 10|16|U GB: 15 GR: 15 HU: 16 IE: 15 JP: R18+ NL: 12 PL: 16 PT: M/14 RO: 18 SE: 11 US: R
Runtime: 101
Doug Harris is a loveable but socially awkward groom-to-be with a problem: he has no best man. With less than two weeks to go until he marries the girl of his dreams, Doug is referred to Jimmy Callahan, owner and CEO of Best Man, Inc., a company that provides flattering best men for socially challenged guys in need. What ensues is a hilarious wedding charade as they try to pull off the big con, and an unexpected budding bromance between Doug and his fake best man Jimmy.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Mixer:
Noelle DiMarco
Stephen Webster
Additional Second Assistant Director:
Ronan O'Connor
Art Department Coordinator:
Emily A. Wilson
Art Direction:
Charlie Campbell
Assistant Hairstylist:
Bret Mayo
Assistant Property Master:
Rudy Reachi
Assistant Sound Editor:
Tim Tuchrello
Associate Producer:
Chris Bremner
Nathan Donohoe
Boom Operator:
Gregg Frazier
Casting:
Ron Digman
Valorie Massalas
Compositing Supervisor:
Doug Witsken
Construction Coordinator:
Andrew Moore
Costume Design:
Genevieve Tyrrell
Dialogue Editor:
Henry Auerbach
Digital Compositor:
Mike Cisneros
Andrew Sagar
Daniel Briney
Neil Craig
Patrick Trahan
Patrick Schultz
Jacob Kebodeaux
Director:
Jeremy Garelick
Director of Photography:
Bradford Lipson
Editor:
Jeff Groth
Shelly Westerman
Byron Wong
Executive In Charge Of Production:
Scott Strauss
James Lopez
Executive Producer:
Zanne Devine
Ben Waisbren
Glenn S. Gainor
Jeremy Garelick
Jay Lavender
First Assistant Director:
Mark Anthony Little
Foley Artist:
Anita Cannella
Amy Kane
Foley Mixer:
Jeff Gross
Graphic Designer:
Blair Strong
Hair Department Head:
Thomas Real
Key Hair Stylist:
Ai Nakata
Key Makeup Artist:
Kimberly Felix
Leadman:
Troy Myers
Makeup Artist:
Debra Denson
Brian Kinney
Makeup Department Head:
Tegan Taylor
Makeup Effects:
Gary Pawlowski
Makeup Effects Designer:
Gary J. Tunnicliffe
On Set Dresser:
Jon Nicholson
Original Music Composer:
Christopher Lennertz
Producer:
Valerie Bleth Sharp
Adam Fields
Will Packer
Production Design:
Chris Cornwell
Property Master:
C.J. Maguire
Screenplay:
Jay Lavender
Jeremy Garelick
Second Assistant Director:
Andrew Ward
Second Assistant Director Trainee:
Alexandra Lambrinidis
Second Second Assistant Director:
Chad Witt
Second Unit Director:
Eddie Yansick
Set Decoration:
Dena Roth
Set Decoration Buyer:
Kathy Orlando
Set Designer:
Joseph Feld
Set Dresser:
Adan Avila
Michael Buha
Sound Editor:
Kami Asgar
Sound Effects Editor:
Bruce Tanis
Jack Whittaker
Sound Mixer:
Jim Stuebe
Matteo Marciano
Sound Re-Recording Mixer:
Chris Carpenter
Deb Adair
Sound Recordist:
Fred Peck III
Special Effects Supervisor:
Tommy Frazier
Storyboard Artist:
Gary Damian Thomas
Stunt Double:
Lisa Hoyle
Stunt Driver:
Mickey Giacomazzi
Stunts:
Peewee Piemonte
Supervising Sound Editor:
Erin Oakley
Sean McCormack
Unit Production Manager:
Pamela Monroe
Glenn S. Gainor
Utility Sound:
Alexandra Gallo
Utility Stunts:
Monty L. Simons
Visual Effects:
Marcus Stokes
Ryan Markley
Darius Stevens Wilhere
Erick Geisler
Visual Effects Producer:
Jyoti Bhalchandra Deshpande
Raoul Bolognini
Dane Allan Smith
Charuhas Sonar
Visual Effects Supervisor:
Nicholas Lund-Ulrich
Curt Miller
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.