Jarhead (2005) [R]

Release Date:
November 4, 2005

Original Title:
Jarhead

Alternate Titles:
Gušteri
Jarhead - El infierno espera
Marinac
Marinec
Merijalkaväen mies
Máquina Zero
Soldado anonimo
ジャーヘッド:2005
平頭日記
鍋蓋頭
锅盖头
자헤드: 그들만의 전쟁

Genres:
Drama | War

Production Companies:
Neal Street Productions
Red Wagon Entertainment

Production Countries:
United Kingdom | United States of America

Ratings / Certifications:
AR: 16  AT: 12  AU: MA15+  BR: 16  CA: 18A  CH: 14  CZ: 12  DE: 12  DK: 11  ES: 18  FR: U  GB: 15  GR: 15  HK: III  HU: 18  IE: 16  IS: 16  IT: VM14  JP: R-15   MX: C  NL: 12  NO: 15  PH: R-18  PL: 15  PT: M/16  RO: 15  RU: 18+  SE: 11  SG: M18   TR: 18+  US: R 

Runtime: 123

Welcome to the suck.

Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Editor:
Jane McCulley

ADR Mixer:
David Boulton

ADR Recordist:
Krissopher Chevannes

ADR Voice Casting:
David H. Kramer

Accountant:
Enriqueta 'Queta' Amador

Additional Editing:
Pat Jackson

Additional Second Assistant Camera:
Will Dearborn

Additional Second Assistant Director:
Cy Roscoe Strickland

Aerial Coordinator:
Cliff Fleming

Apprentice Sound Editor:
Jon Logan

Art Department Coordinator:
Chris Cummings

Art Direction:
Christina Ann Wilson
Marco Niro

Assistant Accountant:
Chesley Phipps

Assistant Art Director:
A. Todd Holland

Assistant Chief Lighting Technician:
David Burnett

Assistant Costume Designer:
George L. Little

Assistant Editor:
R. Orlando Duenas

Assistant Location Manager:
Bridget Cleary

Assistant Production Coordinator:
Alejandra Cárdenas

Assistant Property Master:
Mark W. Brown

Assistant Sound Editor:
Brian Chumney

Associate Editor:
Sean Cullen

Best Boy Grip:
Quinn Grove

Book:
Anthony Swofford

Boom Operator:
Marvin E. Lewis

Cableman:
Gary A. Theard

Camera Loader:
Kirsten Laube

Camera Production Assistant:
Jason Corica

Camera Technician:
Greg Beaumonte

Casting:
Debra Zane

Casting Assistant:
Stacy Opalewski

Casting Associate:
Tannis Vallely

Chief Lighting Technician:
Chris Napolitano

Co-Producer:
Pippa Harris

Color Timer:
Kenny Becker

Concept Artist:
Phillip Cappe

Construction Coordinator:
Jeff Passanante

Construction Foreman:
Edward L. Turk

Costume Design:
Albert Wolsky

Costume Supervisor:
Robert Q. Mathews

Costumer:
Matt Chase

Craft Service:
John Wright

Dialogue Editor:
Richard Quinn

Digital Compositors:
Matt Brumit

Digital Intermediate Editor:
Curtis Lindersmith

Digital Intermediate Producer:
Terra Bliss

Director:
Sam Mendes

Director of Photography:
Roger Deakins

Dolly Grip:
Seong Dilg

Driver:
L. Chip Crosby Jr.

Editor:
Walter Murch

Electrician:
Danny Ault

Executive Producer:
Sam Mercer
Bobby Cohen

Extras Casting Assistant:
Ruben Marquez

First Assistant Accountant:
Edna Wilkerson

First Assistant Camera:
Andy Harris

First Assistant Director:
Alan B. Curtiss

First Assistant Sound Editor:
Jeremy Molod

Foley Artist:
Alyson Dee Moore

Foley Mixer:
Ben Conrad

Foley Recordist:
James Willetts

Generator Operator:
Michael DePue

Graphic Designer:
Kim Lincoln

Greensman:
Richard J. Bell

Grip:
Brian Branton

Hair Department Head:
Robert L. Stevenson

Hairdresser:
Ma. Teresa Chavez

Hairstylist:
Deidra Dixon

Key Costumer:
Robert Iannaccone

Key Grip:
Mitchell Andrew Lillian

Key Rigging Grip:
Gary Kangrga

Key Set Production Assistant:
Terrence B. Zinn

Layout:
Luke Longin

Lead Animator:
Peter Daulton

Leadman:
Mark Weissenfluh

Lighting Technician:
Ken W. Ballantine

Local Casting:
Faith Hibbs-Clark

Location Assistant:
Timber Kislan

Location Casting:
Deedra Ricketts

Location Manager:
Murray Miller

Location Scout:
Rick Poyner

Makeup Artist:
Steven E. Anderson

Makeup Effects Designer:
Constantine Sekeris

Makeup Supervisor:
Allan A. Apone

Music Consultant:
George Budd

Music Coordinator:
Jim Dunbar

Music Editor:
Bill Bernstein

Music Supervisor:
Randall Poster

Negative Cutter:
Mo Henry

On Set Dresser:
Glenn H. Roberts

Orchestrator:
Thomas Pasatieri

Original Music Composer:
Thomas Newman

Payroll Accountant:
John Montgomery

Picture Car Coordinator:
Dennis McCarthy

Pilot:
Skip Holm

Post Production Coordinator:
Bill Ceresia

Post Production Supervisor:
Sean T. Stratton

Producer:
Lucy Fisher
Douglas Wick

Production Accountant:
Mark Mayer

Production Assistant:
Jake Borowski

Production Coordinator:
Lois Walker

Production Design:
Dennis Gassner

Production Driver:
Julio Salazar

Production Illustrator:
Kasra Farahani

Production Secretary:
R. Dawn Vigil

Production Supervisor:
Gerald Scaife

Projection:
Robert Hatfield

Property Master:
Andrew Petrotta

Propmaker:
Mark Sparks

Rigging Gaffer:
Edward R. Nedin

Rigging Grip:
Jason Blaise Cunningham

Rotoscoping Artist:
Stephanie Taubert

Scoring Mixer:
Thomas Vicari

Screenplay:
William Broyles Jr.

Script Consultant:
Sam Chouia

Script Supervisor:
Jayne-Ann Tenggren

Sculptor:
Carol Koch

Seamstress:
Blanca Garcia

Second Assistant Accountant:
Skylar Schmidt

Second Assistant Camera:
Matthew Haskins

Second Assistant Director:
Basti Van Der Woude

Second Second Assistant Director:
Jody Spilkoman

Second Unit Director:
Jeff Habberstad

Set Costumer:
Corey Bronson

Set Decoration:
Nancy Haigh

Set Designer:
John Chichester

Set Dressing Artist:
Jack Blanchard

Set Medic:
Lindsay Hudson

Set Production Assistant:
Cheryl Andryco

Sound Designer:
Kyrsten Mate

Sound Editor:
Larry Schalit

Sound Effects Editor:
Kyrsten Mate

Sound Mixer:
Willie D. Burton

Special Effects Assistant:
P. David Miller

Special Effects Coordinator:
Steve Cremin

Special Effects Technician:
Christian Eubank

Stand In:
Chris Kephart

Still Photographer:
François Duhamel

Storyboard Artist:
Eric Ramsey

Stunt Coordinator:
Jeff Habberstad

Stunts:
Greg Anthony
Jeffrey J. Dashnaw

Supervising Art Director:
Stefan Dechant

Supervising Sound Editor:
Pat Jackson

Technical Supervisor:
George A. Parker

Title Designer:
Deborah Ross

Transportation Captain:
Fred Teague

Transportation Co-Captain:
Robert E. Dingle

Transportation Coordinator:
John A. Brubaker

Travel Coordinator:
Jennifer Gillespie

Unit Production Manager:
Sharon Mann

Unit Publicist:
Rob Harris

Utility Stunts:
Jeff M. Lewis

VFX Director of Photography:
Martin Rosenberg

Video Assist Operator:
Clark Higgins

Visual Effects Art Director:
Christian Alzmann

Visual Effects Assistant Editor:
Jerome Bakum

Visual Effects Coordinator:
Christopher Cram

Visual Effects Editor:
Kent Blocher

Visual Effects Producer:
Jennifer Bell
Jeanie King

Visual Effects Production Assistant:
Todd Martin

Visual Effects Supervisor:
Pablo Helman

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.