A work in constant progress (and occasional regress).
Release Date:
August 11, 1980
Original Title:
Paura nella città dei morti viventi
Alternate Titles:
Brama Piekieł
Die Stadt der lebenden Toten
Ein Kadaver hing am Glockenseil
Ein Toter hing am Glockenseil
Eine Leiche hängt am Glockenseil
Fear in the City of the Living Dead
Fear in the Town of the Living Dead
Hell of the Living Dead
Lucio Fulci's City of the Living Dead
Miedo en la ciudad de los muertos vivientes
Pastor Thomas
The Fear
The Gates of Hell
Twilight of the Dead
Η Πόλη των Ζωντανών Νεκρών
Τα Ζόμπι Βγήκαν από τον Τάφο τους
Τα Ζόμπι Ξανάρχονται
Genres:
Horror
Production Companies:
Dania Film
Medusa Distribuzione
National Cinematografica
Production Countries:
Italy
Ratings / Certifications:
AR: +18 DE: 18 ES: 18 FI: K-18 FR: 16 GB: 18 HK: III IT: 18+ JP: R18+ MX: C NL: 16 PT: M/18 US: NR
Runtime: 93
A woman seemingly dies of fright after participating in a séance where she sees a vision of a Dunwich priest hanging himself in a church cemetery. New York City reporter Peter Bell investigates and learns that the priest's suicide has somehow opened a portal to Hell and must be sealed by All Saints Day, or else the dead will overtake humanity.
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Assistant Director:
Roberto Giandalia
Camera Operator:
Roberto Forges Davanzati
Costume Design:
Massimo Antonello Geleng
Director:
Lucio Fulci
Director of Photography:
Sergio Salvati
Editor:
Edo Brizio
Vincenzo Tomassi
Executive Producer:
Robert E. Warner
Hairstylist:
Luciano Vito
Makeup Artist:
Franco Rufini
Original Music Composer:
Fabio Frizzi
Producer:
Lucio Fulci
Production Design:
Massimo Antonello Geleng
Screenplay:
Lucio Fulci
Dardano Sacchetti
Set Dresser:
Giacomo Caló Carducci
Sound Mixer:
Bruno Moreal
Special Effects:
Franco Rufini
Gino De Rossi
Special Effects Makeup Artist:
Franco Rufini
Story:
Lucio Fulci
Dardano Sacchetti
Stunt Coordinator:
Nazzareno Cardinali
Stunts:
Don Ruffin
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.