A work in constant progress (and occasional regress).
Release Date:
December 8, 1989
Original Title:
The War of the Roses
Alternate Titles:
A Guerra das Rosas
Der Rosen-Krieg
Der Rosenkrieg - Bis dass der Tod uns scheidet
La Guerra de los Rose
La Guerra de los Roses
Війна подружжя Роуз
玫瑰战争
Genres:
Comedy | Drama
Production Companies:
20th Century Fox
Gracie Films
Production Countries:
United States of America
Ratings / Certifications:
AU: M CH: 16 DE: 16 FR: U GB: 15 GR: 16 HU: 16 IE: 15A PL: 18 PT: M/12 SK: 15 US: R
Runtime: 116
The Roses, Barbara and Oliver, live happily as a married couple. Then she starts to wonder what life would be like without Oliver, and likes what she sees. Both want to stay in the house, and so they begin a campaign to force each other to leave. In the middle of the fighting is D'Amato, the divorce lawyer. He gets to see how far both will go to get rid of the other, and boy do they go far.
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Additional Editing:
Nicholas C. Smith
Apprentice Sound Editor:
Jeanine Schaack
Art Direction:
Mark W. Mansbridge
Assistant Editor:
John Ganem
Assistant Location Manager:
Errol Reichow
Assistant Property Master:
Paul Rylander
Assistant Sound Editor:
Jennifer L. Ware
Renée Tondelli
Laura Graham
Mary Ann Skweres
Valerie Davidson
Boom Operator:
Don Coufal
Camera Operator:
Dustin Blauvelt
Casting:
David Rubin
Casting Assistant:
Debra Zane
Lisa Beach
Co-Producer:
Michael J. Leeson
Color Timer:
Reid Burns
Costume Design:
Gloria Gresham
Dialogue Editor:
Sarah Goldsmith
Michael Magill
Elliott Koretz
Director:
Danny DeVito
Director of Photography:
Stephen H. Burum
Dolby Consultant:
Douglas Greenfield
Editor:
Lynzee Klingman
Executive In Charge Of Production:
Richard Sakai
Executive Producer:
Polly Platt
Doug Claybourne
First Assistant Camera:
Alan S. Blauvelt
First Assistant Director:
Thomas Lofaro
First Assistant Sound Editor:
Rachel Shaw
Foley Editor:
Chuck Michael
John Duvall
Foley Mixer:
Gary Gegan
Foley Supervisor:
Marian Wilde
Gaffer:
Alex Skvorzov
Key Grip:
Clyde Hart
Key Hair Stylist:
Kathryn Blondell
Makeup Artist:
John M. Elliott Jr.
Music Editor:
Tom Villano
Negative Cutter:
Gary Burritt
Novel:
Warren Adler
Original Music Composer:
David Newman
Producer:
James L. Brooks
Arnon Milchan
Production Coordinator:
Mary Courtney
Production Design:
Ida Random
Scoring Mixer:
Tim Boyle
Screenplay:
Michael J. Leeson
Script Supervisor:
Wilma Garscadden-Gahret
Second Assistant Camera:
Bob Apger
Second Assistant Director:
Jeffrey M. Ellis
Set Decoration:
Anne D. McCulley
Set Designer:
Stan Tropp
Mark Fabus
Set Painter:
Chuck Eskridge
Sound Mixer:
Jeff Wexler
Sound Re-Recording Mixer:
Michael J. Kohut
Leslie Shatz
Matthew Iadarola
Bill W. Benton
Special Effects Supervisor:
John Frazier
Special Effects Technician:
Rocky Gehr
Richard L. Hill
Francis Pennington
Still Photographer:
François Duhamel
Stunt Coordinator:
Michael Runyard
Stunts:
M. James Arnett
Janet Brady
Patricia M. Peters
Richard Drown
Chuck Picerni Jr.
Marcia Holley
Sammy Thurman
Tracy Keehn-Dashnaw
Scott Wilder
Jon H. Epstein
Supervising Sound Editor:
Leslie Shatz
Transportation Captain:
Skip Wilson
Transportation Co-Captain:
Ken Bellanca
Transportation Coordinator:
James C. Taylor
Unit Production Manager:
Robert Latham Brown
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.