A work in constant progress (and occasional regress).
Release Date:
January 1, 2014
Original Title:
Un boss in salotto
Genres:
Comedy
Production Companies:
Cattleya
Warner Bros. Entertainment Italia
Production Countries:
Italy
Ratings / Certifications:
IT: T
Runtime: 101
Cristina lives a peaceful life until her older brother Ciro, who has to attend a trial, asks to spend house arrests at Cristina’s home.
Assistant Camera:
Flavia Califano
Assistant Editor:
Andrea Montanari
Assistant Production Design:
Maria Grazia Schirripa
Boom Operator:
Alessandro Molaioli
Camera Operator:
Matteo Carlesimo
Casting:
Marita D'Elia
Costume Design:
Eleonora Rella
Delegated Producer:
Arianna De Chiara
Francesca Longardi
Dialogue Editor:
Davide Favargiotti
Director:
Luca Miniero
Director of Photography:
Federico Angelucci
Editor:
Valentina Mariani
Executive Producer:
Antonella Iovino
First Assistant Director:
Chantal Toesca
Gaffer:
Massimiliano Sticchi
Hair Department Head:
Eleonora Migliaccio
Key Grip:
Massimo Spina
Line Producer:
Massimo Di Rocco
Makeup Department Head:
Ermanno Spera
Original Music Composer:
Umberto Scipione
Post Production Coordinator:
Alessandro Pelliccia
Producer:
Marco Chimenz
Giovanni Stabilini
Riccardo Tozzi
Production Coordinator:
Federica Cinquepalmi
Production Design:
Monica Vittucci
Production Manager:
Simona Batistelli
Screenplay:
Luca Miniero
Script Supervisor:
Gina Neri
Second Assistant Director:
Giuseppe Tedeschi
Vincenzo Mineo
Sound:
Alessandro Bianchi
Sound Mixer:
Andrea Lancia
Story:
Luca Miniero
Federica Pontremoli
Stunt Coordinator:
Emiliano Novelli
Unit Manager:
Paolo Coppola
VFX Supervisor:
Stefano Marinoni
Visual Effects Coordinator:
Sara Paesani
Visual Effects Producer:
Paola Trisoglio
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.