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About a Boy (2002) [PG-13]

Release Date:
April 26, 2002

Original Title:
About a Boy

Alternate Titles:
About a Boy - Un ragazzo
About a boy
Bir Oğlan Haqqında
Comme un garçon
Der Tag der toten Ente
Egy fiúról
Gutter er gutter
Jak na věc
Om en pojke
Pour un garcon
Um Grande Garoto
Un Gran Chico
单亲插班生
非关男孩
어바웃 어 보이

Genres:
Comedy | Drama | Romance

Production Companies:
Kalima Productions
StudioCanal
Tribeca Productions
Universal Pictures
Working Title Films

Production Countries:
France | Germany | United Kingdom | United States of America

Ratings / Certifications:
AT: 12  AU: M  CA: PG  CH: 12  CZ: 12+  DE: 6  ES: APTA  FR: U  GB: 12  HU: 12  IE: 12  IT: T  JP: G  KR: 12  PL: 12  SE: 7  US: PG-13 

Runtime: 101

Growing up has nothing to do with age.

Overview from TheMovieDB

Will Freeman is a good-looking, smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms, Will gets a hilarious lesson about life from a bright, but hopelessly geeky 12-year-old named Marcus. Now, as Will struggles to teach Marcus the art of being cool, Marcus teaches Will that you're never too old to grow up.

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Performers

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Production

"A" Camera Operator:
Peter Robertson

ADR Editor:
Norval D. Crutcher III

ADR Mixer:
Ted Swanscott

ADR Recordist:
Colin Cooper

ADR Supervisor:
Bob McNabb

ADR Voice Casting:
Vanessa Baker
Brendan Donnison

Actor's Assistant:
Sara Woodhatch

Apprentice Sound Editor:
Lee Gilmore

Art Direction:
Gary Freeman

Assistant Art Director:
Rosie Hardwick

Assistant Costume Designer:
Guy Speranza

Assistant Sound Editor:
Samuel Webb

Boom Operator:
Jaya Bishop

Camera Loader:
René Adefarasin

Carpenter:
Peter Duffy
Darryl Carter
Joseph Alley
Nick Goodall

Casting:
Priscilla John

Casting Assistant:
Laura Dickens

Co-Producer:
Debra Hayward
Hardy Justice
Liza Chasin
Nicky Kentish Barnes

Color Timer:
Jim Passon

Costume Assistant:
Martin Chitty
Louise Egan

Costume Design:
Joanna Johnston

Costume Supervisor:
Claire Finlay-Thompson

Dialogue Coach:
Jill McCullough

Dialogue Editor:
Walter Spencer

Director:
Paul Weitz
Chris Weitz

Director of Photography:
Remi Adefarasin

Dolby Consultant:
Bryan Pennington

Editor:
Nick Moore

Electrician:
Dave Moss
Jamie Mills

Executive Producer:
Lynn Harris
Nick Hornby

First Assistant Director:
Christopher Newman

First Assistant Editor:
Simon Cozens

Foley Editor:
Marilyn Graf

Hair Designer:
Graham Johnston

Key Grip:
John Arnold

Key Set Costumer:
Helen Mattocks

Location Manager:
Steve Hart

Makeup Artist:
Lorna McGowan
Carmel Jackson

Makeup Designer:
Graham Johnston

Music Supervisor:
Nick Angel

Negative Cutter:
Theresa Repola Mohammed

Novel:
Nick Hornby

Original Music Composer:
Badly Drawn Boy

Painter:
Jeff Sullivan

Post Production Accountant:
Tarn Harper

Post Production Supervisor:
Graham Stumpf

Producer:
Brad Epstein
Tim Bevan
Robert De Niro
Eric Fellner
Jane Rosenthal

Producer's Assistant:
Meghan Lyvers

Production Accountant:
Neil Chaplin

Production Coordinator:
Ann Lynch

Production Design:
Jim Clay

Production Manager:
Bernard Bellew

Property Master:
Barry Gibbs

Props:
Bill Hargreaves

Scoring Mixer:
Stephen McLaughlin

Screenplay:
Peter Hedges
Chris Weitz
Nick Hornby
Paul Weitz

Script Supervisor:
Nikki Clapp

Second Assistant Director:
Ben Howarth

Set Decoration:
John Bush

Sound Editor:
Gary S. Gerlich
William Hooper
Patrick O'Sullivan

Sound Mixer:
Tony Dawe

Sound Re-Recording Mixer:
Chris Carpenter
Andy Koyama

Sound Recordist:
Bill Meadows

Standby Carpenter:
David Williamson
Paul Duff

Steadicam Operator:
Peter Robertson

Still Photographer:
Laurie Sparham

Stunt Coordinator:
Grahame Crowther

Supervising Art Director:
Rod McLean

Supervising Music Editor:
Charles Martin Inouye

Supervising Sound Editor:
Richard LeGrand Jr.

Third Assistant Director:
Alex Oakley

Unit Manager:
Lucy Williams

Unit Publicist:
Stacy Mann

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.