A work in constant progress (and occasional regress).
Release Date:
May 1, 2014
Original Title:
52 Tuesdays
Alternate Titles:
52 пъти втoрник
Fifty-two Tuesdays
Toda Terça-Feira
Genres:
Drama
Production Companies:
Closer Productions
Production Countries:
Australia
Ratings / Certifications:
AT: 12 DE: 12 NL: 12
Runtime: 114
Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.
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Assistant Editor:
Jason Ellbourne
Director:
Sophie Hyde
Director of Photography:
Bryan Mason
Editor:
Bryan Mason
Music Supervisor:
Debra Liang
Original Music Composer:
Benjamin Speed
Producer:
Rebecca Summerton
Bryan Mason
Matthew Cormack
Production Manager:
Kerri Hudson
Matt Vesely
Screenplay:
Matthew Cormack
Sound Editor:
Leigh Kenyon
Sound Re-Recording Mixer:
Pete Smith
Sound Recordist:
J.B. Williams
Will Sheridan
Dane Hirsinger
Story:
Matthew Cormack
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At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.