A work in constant progress (and occasional regress).
Release Date:
July 26, 1958
Original Title:
I soliti ignoti
Alternate Titles:
Big Deal on Madonna Street
Den ukjente mann
Os Eternos Desconhecidos
Persons Unknown
Sprawcy nieznani
Suuri keikka Madonna-kadulla
The Usual Unidentified Thieves
Зловмисники, як завжди, залишилися невідомими
无名的小偷们
曼哈顿的大人物
마돈나 거리에서 한탕
Genres:
Comedy | Crime
Production Companies:
Lux Film
Vides Cinematografica
Production Countries:
Italy
Ratings / Certifications:
BR: e Livre FR: U IT: T PT: e Livre
Runtime: 106
Best friends Peppe and Mario are thieves, but they're not very good at it. Still, Peppe thinks that he's finally devised a master heist that will make them rich. With the help of some fellow criminals, he plans to dig a tunnel from a rented apartment to the pawnshop next door, where they can rob the safe. But his plan is far from foolproof, and the fact that no one in the group has any experience digging tunnels proves to be the least of their problems.
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Administration:
Vincenzo Taito
Assistant Editor:
Marisa Letti
Camera Operator:
Erico Menczer
Costume Design:
Piero Gherardi
Director:
Mario Monicelli
Director of Photography:
Gianni Di Venanzo
Editor:
Adriana Novelli
First Assistant Director:
Mario Maffei
Makeup Artist:
Romolo De Martino
Original Music Composer:
Piero Umiliani
Producer:
Franco Cristaldi
Production Design:
Piero Gherardi
Production Manager:
Nicolò Pomilia
Production Secretary:
Renato Jaboni
Screenplay:
Agenore Incrocci
Furio Scarpelli
Suso Cecchi d'Amico
Mario Monicelli
Script Supervisor:
Silvana Mangini Colizzi
Set Decoration:
Vito Anzalone
Sound:
Luigi Puri
Oscar Di Santo
Story:
Agenore Incrocci
Furio Scarpelli
Unit Manager:
Gino Millozza
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.