A work in constant progress (and occasional regress).
Release Date:
October 4, 2013
Original Title:
Good Morning Karachi
Alternate Titles:
Rafina
Genres:
Drama
Production Companies:
Vidhi Films
Production Countries:
Germany | Pakistan
Ratings / Certifications:
N/A
Runtime: 85
Good Morning, Karachi is the story of a young girl (Amna Ilyas) who wants to be a model while struggling towards her dream against the backdrop of the Benazir Bhutto assassination.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Shahbaz Sumar
Assistant Art Director:
Zooya Mahmood
Assistant Camera:
Saskia van Liempd
Casting:
Tayyab Siddiqui
Choreographer:
Joshinder Chaggar
Cinematography:
Claire Pijman
Colorist:
Xandra ter Horst
Coordinating Producer:
Anna Webster
Dialogue Editor:
Marcel Huibers
Director:
Sabiha Sumar
Editor:
Bart van den Broek
Rob Das
Maurice Bedaux
Executive Producer:
Sarah Radclyffe
Anjali Panjabi
First Assistant Director:
Harune Massey
Gaffer:
Maarten van der Pluijm
Nofil Naqvi
Makeup Artist:
Raana Khan
Music:
Robert Logan
Novel:
Shandana Minhas
Original Music Composer:
Zeeshan Vicky Haider
Producer:
Sachithanandam Sathananthan
Production Assistant:
Maheen Sadiq
Production Design:
Anina Diener
Nayyareen Chhapra
Screenplay:
Sabiha Sumar
Malia Scotch Marmo
Samhita Arni
Script Supervisor:
Nigel Xavier
Second Assistant Director:
Shalalae Jamil
Tayyab Siddiqui
Set Dresser:
Marium Ali
Sound:
Dixon Wilson
Ludo Keeris
Sound Assistant:
Jasir Abro
Bouk Bouwmeester
Sound Designer:
Marco Vermaas
Sound Effects Editor:
Ronnie van der Veer
Sound Re-Recording Mixer:
Marco Vermaas
Still Photographer:
Zeeshan Haider
Wardrobe Designer:
Merium Azmi
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.