A work in constant progress (and occasional regress).
Release Date:
September 26, 2001
Original Title:
A Better Way to Die
Genres:
Action | Thriller
Production Companies:
Newman/Tooley Films
Newmarket Capital Group
Production Countries:
United States of America
Ratings / Certifications:
HU: 18 NL: 16 PT: M/12 US: R
Runtime: 96
Boomer is a rookie cop based in the urban hellhole that is downtown Chicago. After his involvement in a drug bust operation which results in the death of Carlos, his mentor and father figure, Boomer becomes disillusioned with the brutal and inhumane nature of his job. Consequently, he decides to hand in his resignation to the Chicago Police Department and return to his home town of Joliet, where his fiancé, Kelly, awaits. While en route back to Joliet, however, Boomer makes a grievous error in judgment when he stops for, and assists, an unfortunate motorist whose vehicle appears to have broken down; the naive ex-cop is swiftly attacked and rendered unconscious. Boomer awakes to find that his car and wallet have been stolen, and that he has become involved in a dangerous game of mistaken identity.
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Associate Producer:
Nancy Lanham
Benjamin John Parrillo
Costume Design:
Martina Nevermann
Emmy Taylor
Director:
Scott Wiper
Director of Photography:
Lawrence Sher
Editor:
James E. Tooley
Executive Producer:
Tucker Tooley
Vincent Newman
Linda Hawkins
William Tyrer
Christopher Ball
Hairstylist:
Cory Henderson
Key Hair Stylist:
Keleigh Lippert Palladino
Key Makeup Artist:
Ann Davis
T.C. Thecla Luisi
Line Producer:
Jim Bigham
Original Music Composer:
John M. Keane
Producer:
Brad Fuller
Russell Gray
Graham Taylor
Production Design:
Ren Blanco
Sarah Alcorn
Set Decoration:
David Dreyer
Special Effects Makeup Artist:
Andrea Checroun
Special Effects Technician:
Robert Garrigus
Bob Chastain
Richard Huggins
Writer:
Scott Wiper
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.