A work in constant progress (and occasional regress).
Release Date:
October 9, 1992
Original Title:
Io speriamo che me la cavo
Alternate Titles:
Ciao, Professore!
Genres:
Comedy
Production Companies:
Cecchi Gori Group Tiger Cinematografica
Eurolux Produzione
Penta Film
Production Countries:
Italy
Ratings / Certifications:
IT: T US: R
Runtime: 93
A bureaucratic snafu sends Marco Tullio Sperelli, a portly, middle-aged northern Italian, to teach third grade in a poor town outside Naples
Assistant Camera:
Giovanni Angeloni
Guido Chimatti
Roberto Ruzzolini
Assistant Editor:
Tomasso Gramigna
Giampiero Gramigna
Boom Operator:
Manvel Naudin
Camera Operator:
Claudio Sabatini
Co-Writer:
Andrej Longo
Costume Design:
Benito Persico
Director:
Lina Wertmüller
Director of Photography:
Carlo Tafani
Editor:
Pierluigi Leonardi
First Assistant Director:
Antonio Gabrielli
Gaffer:
Stefano Marino
Hair Department Head:
Carlo Barucci
Key Grip:
Gaetano Barbera
Line Producer:
Gianni Cecchin
Makeup Department Head:
Gilberto Provenghi
Novel:
Marcello D'Orta
Original Music Composer:
Carlo D'Angiò
Producer:
Ciro Ippolito
Mario Cecchi Gori
Vittorio Cecchi Gori
Production Design:
Enrico Job
Production Manager:
Marina De Tiberiis
Production Secretary:
Daniela Rocco
Fulvio Rendina
Ciro Caruso
Rosa Pietrini
Screenplay:
Lina Wertmüller
Leonardo Benvenuti
Piero De Bernardi
Alessandro Bencivenni
Domenico Saverni
Script Supervisor:
Franca Invernizzi
Second Assistant Director:
Stefano Amatucci
Ilaria Cirino Pomicino
Sound:
Alain Villeval
Sound Mixer:
Danilo Moroni
Special Effects:
Adriano Pischiutta
Still Photographer:
Antonio Benetti
Story:
Lina Wertmüller
Leonardo Benvenuti
Piero De Bernardi
Alessandro Bencivenni
Domenico Saverni
Unit Manager:
Mario Cecchin
Stefano Spadoni
Franco Marino
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.