Home

The Net (1953) [N/A]

Release Date:
February 9, 1953

Original Title:
The Net

Alternate Titles:
Project M7

Genres:
Mystery | Science Fiction

Production Companies:
Two Cities Films

Production Countries:
United Kingdom

Ratings / Certifications:
 N/A

Runtime: 86

FASTER THAN SOUND come the sensational thrills in this modern epic of the air!

Overview from TheMovieDB

A secret jet aircraft capable of traveling three times the speed of sound is being developed by a group of scientists. On the day of the test flight, one of the scientists dies in a mysterious accident, and there are many arguments concerning the flight itself; some think it should be ground-controlled while Heathley (James Donald) wants it to be a manned flight with himself at the controls. Conflict also arises when one of his fellow scientists, taking advantage of Heathley's lack of attention toward his wife, Lydia (Phyllis Calvert), makes some moves on her. Then there is the question of just who is the enemy agent on the project.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Aerial Director of Photography:
Stanley Grant

Art Direction:
John Howell

Assistant Director:
George Pollock

Camera Operator:
H. A. R. Thomson

Conductor:
Muir Mathieson

Continuity:
Yvonne Axeworthy

Costume Design:
Julie Harris

Director:
Anthony Asquith

Director of Photography:
Desmond Dickinson

Editor:
Frederick Wilson

Executive Producer:
Earl St. John

Makeup Artist:
W.T. Partleton

Original Music Composer:
Benjamin Frankel

Producer:
Antony Darnborough

Production Controller:
Arthur Alcott

Production Manager:
Hugh Attwooll

Screenplay:
William Fairchild

Sound Editor:
Harry Miller

Sound Recordist:
John Dennis
Gordon K. McCallum

Special Effects:
Bryan Langley
Bill Warrington
Albert Whitlock

Writer:
John Pudney

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.