A work in constant progress (and occasional regress).
Release Date:
August 16, 1973
Original Title:
A Doll's House
Alternate Titles:
A Doll's House - Joseph Losey
Maison de poupée
Genres:
Drama
Production Companies:
Les Films La Boétie
World Film Services
Production Countries:
France | United Kingdom
Ratings / Certifications:
N/A
Runtime: 106
Nora Helmer lives a quiet life with her husband, Torvald, in a small Norwegian town. While he works diligently at a bank, she looks after their children. But Torvald doesn't know that several years ago, when he was very ill and she was desperate for money, Nora forged a loan document and has been secretly working to pay the money back ever since. The arrival of her friend Kristine prompts Nora to re-evaluate her life and confront Torvald.
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Art Direction:
Eileen Diss
Assistant Editor:
Jeremy Hume
Associate Producer:
Richard F. Dalton
Author:
Henrik Ibsen
Boom Operator:
David Stephenson
Camera Operator:
Bernard Ford
Conductor:
Michel Legrand
Continuity:
Lilian Lee
Costume Design:
John Furniss
Edith Head
Director:
Joseph Losey
Director of Photography:
Gerry Fisher
Dressing Prop:
Ron Downing
Editor:
Reginald Beck
Executive Producer:
John Heyman
Focus Puller:
Mike Rutter
Gaffer:
Laurie Shane
Hairdresser:
Eileen Warwick
Makeup Artist:
Bob Lawrance
Original Music Composer:
Michel Legrand
Producer:
Joseph Losey
Production Manager:
Robert Fennell
Production Secretary:
Pat Sims
Props:
Petter J. Borgli
Screenplay:
David Mercer
Michael Meyer
Second Assistant Camera:
Stephen Smith
Sound Editor:
Peter Horrocks
Sound Mixer:
Peter Handford
Gerry Humphreys
Still Photographer:
Barrie Payne
Theatre Play:
Henrik Ibsen
Title Designer:
Richard Macdonald
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.