A work in constant progress (and occasional regress).
Release Date:
May 4, 1966
Original Title:
Arabesque
Alternate Titles:
Arabesc
Arabesco
Arabeska
Arabeske
Arabesque
Arabeszk
Casuslar
Stanley Donen's Arabesque
Арабеска
Шифърът
アラベスク
아라베스크
Genres:
Action | Comedy | Mystery | Thriller
Production Companies:
Stanley Donen Films
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 DE: 12 FR: U IE: 12 SE: 15
Runtime: 105
When a plot against a prominent Middle Eastern politician is uncovered, David Pollock, a professor of ancient hieroglyphics at Oxford University, is recruited to help expose the scheme. Pollock must find information believed to be in hieroglyphic code and must also contend with a mysterious man called Beshraavi. Meanwhile, Beshraavi's lover, Yasmin Azir, seems willing to aid Pollock -- but is she really on his side?
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Art Direction:
Reece Pemberton
Assistant Director:
Eric Rattray
Associate Producer:
Denis Holt
Camera Operator:
Austin Dempster
Continuity:
Connie Willis
Costume Design:
Yves Saint Laurent
Christian Dior
Director:
Stanley Donen
Director of Photography:
Christopher Challis
Editor:
Frederick Wilson
Makeup Artist:
W.T. Partleton
Novel:
Gordon Cotler
Original Music Composer:
Henry Mancini
Producer:
Stanley Donen
Production Director:
Arthur Carroll
Production Manager:
David W. Orton
Screenplay:
Julian Mitchell
Peter Stone
Stanley Price
Second Unit Cinematographer:
John M. Jordan
Sound Editor:
Don Sharpe
Sound Mixer:
John W. Mitchell
C. Le Mesurier
Title Designer:
Maurice Binder
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.