A work in constant progress (and occasional regress).
Release Date:
November 24, 2009
Original Title:
Old Dogs
Alternate Titles:
2 Amas de Gravata
Daddy-Sitter
Dos canguros muy maduros
Les 2 font la père
Les Deux font la père
Papy-Sitter
Papás a la fuerza
Starí psi
Surpresa em Dobro
Vén csontok
Γερόλυκοι
سگ های پیر
Genres:
Comedy | Family
Production Companies:
Tapestry Films
Walt Disney Pictures
Production Countries:
United States of America
Ratings / Certifications:
AT: 6 AU: PG CH: 12 DE: 6 DK: A ES: APTA GB: PG GR: 13 HU: 12 IE: PG JP: PG12 MX: A PT: 6 TW: 普遍級 US: PG
Runtime: 88
Charlie and Dan have been best friends and business partners for thirty years; their Manhattan public relations firm is on the verge of a huge business deal with a Japanese company. With two weeks to sew up the contract, Dan gets a surprise: a woman he married on a drunken impulse nearly nine years before (annulled the next day) shows up to tell him he's the father of her twins, now seven, and she'll be in jail for 14 days for a political protest. Dan volunteers to keep the tykes, although he's up tight and clueless. With Charlie's help is there any way they can be dad and uncle, meet the kids' expectations, and still land the account?
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ADR & Dubbing:
Doc Kane
Paul Drenning
Greg Zimmerman
Greg Steele
ADR Editor:
Elizabeth Kenton
Art Direction:
Peter Rogness
Brian O'Hara
Associate Producer:
Kelly Hayes
Linda Favila
Anson Downes
Boom Operator:
Dan Paikin
Jeff Cannon
Camera Operator:
Jack Donnelly
Bruce MacCallum
Casting:
Anne McCarthy
Kathleen Chopin
Jay Scully
Choreographer:
Chad Schiro
Construction Coordinator:
Raymond M. Samitz
Costume Design:
Joseph G. Aulisi
Director:
Walt Becker
Director of Photography:
Jeffrey L. Kimball
Editor:
Tom Lewis
Ryan Folsey
Electrician:
Robert Merk
Timothy Healy
Joshua Solson
Executive Producer:
Garrett Grant
Foley:
Willard Overstreet
Dan O'Connell
Gaffer:
Russell Engels
Grip:
Lou Massa
Peter Bulavinetz
Tom Prate
Joe Sarao
Michael J. Prate
Larhn Davitt
Bernard X. Brongniart
Hair Department Head:
RaMona Fleetwood
Hairstylist:
Teressia Carter
Susan V. Kalinowski
In Memory Of:
Bernie Mac
Key Hair Stylist:
Dallas Hartnett
Key Makeup Artist:
Todd Kleitsch
Loader:
Gavin Fernandez
Location Manager:
Rob Frank
Location Scout:
Tom Lackey
Eric Papa
Richard Kathlean
Makeup Artist:
Persefone Karakosta
Nellie Muganda
Makeup Department Head:
Martina Kohl
Orchestrator:
Kevin Kaska
Original Music Composer:
John Debney
Producer:
Robert L. Levy
Peter Abrams
Andrew Panay
Production Design:
David Gropman
Production Supervisor:
David Price
Trevor Waterson
Property Master:
Kevin Ladson
Scenic Artist:
Diane Rich
Script Supervisor:
Jessica Lichtner
Second Unit Director:
Thomas Robinson Harper
Johnny Martin
Second Unit Director of Photography:
Lukasz Jogalla
Gregory Lundsgaard
Set Decoration:
Ellen Christiansen
Romano C. Pugliese
Sound Designer:
Debby VanPoucke
Sound Effects Editor:
Jeff Sawyer
Odin Benitez
Sound Mixer:
James Sabat
Scott Blynder
Special Effects:
Bryan Wohlers
Tommy Frazier
Roland Blancaflor
Phil Gauvin
Rylan Buchholz
Edward T. Reiff Jr.
Kurt Harris
Special Effects Coordinator:
Fred Buchholz
Steadicam Operator:
Stephen Consentino
Stunt Coordinator:
Thomas Robinson Harper
Bob Brown
Johnny Martin
Stunt Double:
Jill Brown
Stunt Driver:
Allan Graf
Supervising Dialogue Editor:
Victoria Rose Sampson
Thanks:
Jodi Rell
Charlie Crist
Graham Winick
Jeff Peel
Utility Stunts:
Jodi Michelle Pynn
Chuck Picerni Jr.
Joanne Lamstein
Visual Effects:
Akemi Abe
Matt Hennessy
Visual Effects Producer:
Eric D. Christensen
Thomas Clary
Gayle Busby
Michele Ferrone
Visual Effects Supervisor:
Mark Dornfeld
Ray McIntyre Jr.
Writer:
David Diamond
David Weissman
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.