A work in constant progress (and occasional regress).
Release Date:
March 1, 1964
Original Title:
Paris When It Sizzles
Alternate Titles:
Paříž v letním parnu
Paříž, když to hoří
パリで一緒に
뜨거운 포옹
Genres:
Comedy | Romance
Production Companies:
George Axelrod Productions
Paramount Pictures
Richard Quine Productions
Production Countries:
United States of America
Ratings / Certifications:
AT: 12 BR: 10 CZ: 15+ DE: 12 JP: G PT: M/12 US: NR
Runtime: 110
Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been holed up in a Paris apartment supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him complete it in time.
Art Direction:
Jean-André d'Eaubonne
Assistant Director:
Paul Feyder
Associate Producer:
John R. Coonan
Carter DeHaven Jr.
Camera Operator:
Henri Tiquet
Costume Design:
Hubert de Givenchy
Director:
Richard Quine
Director of Photography:
Charles Lang
Editor:
Archie Marshek
Hairstylist:
Dean Cole
Lyricist:
Alan Bergman
Makeup Artist:
Frank McCoy
Orchestrator:
Arthur Morton
Original Music Composer:
Nelson Riddle
Producer:
Richard Quine
George Axelrod
Screenplay:
George Axelrod
Set Decoration:
Gabriel Béchir
Songs:
Lew Spence
Sound Recordist:
Joseph de Bretagne
Charles Grenzbach
Special Effects:
Paul K. Lerpae
Story:
Julien Duvivier
Henri Jeanson
Vocals:
Frank Sinatra
Fred Astaire
Wardrobe Supervisor:
Jean Zay
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.