A work in constant progress (and occasional regress).
Release Date:
January 20, 1945
Original Title:
To Have and Have Not
Alternate Titles:
Acque del Sud
Att ha och inte ha
De haven van angst
Ernest Hemingway's To Have and Have Not
Kirjava satama
Le port de l'angoisse
Miec i nie miec
Sahib Olmaz Ya Da Olmamaq
Szegények és gazdagok
Taowang
Tener y no tener
To Have and Have Not
Uma Aventura na Martinica
Η Σειρήνα της Μαρτινίκα
Да имаш и да нямаш
Мати і не мати
取舍之间
有的和没有的
江湖侠侣
逃亡
소유와 무소유
Genres:
Adventure | Romance | War
Production Companies:
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: PG FR: TP GB: PG HU: 16 JP: R18+ NL: 6 PT: M/14 US: NR
Runtime: 100
A Martinique charter boat skipper gets mixed up with the underground French resistance operatives during WWII.
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Additional Music:
William Lava
Art Direction:
Charles Novi
Assistant Director:
Don Siegel
Jack Sullivan
Robert Vreeland
Russell Llewellyn
Camera Operator:
Mike Joyce
Costume Design:
Milo Anderson
Dialogue:
Frederick de Cordova
Director:
Howard Hawks
Director of Photography:
Sidney Hickox
Editor:
Christian Nyby
Executive Producer:
Jack L. Warner
Grip:
Dudie Maschmeyer
Makeup Artist:
Perc Westmore
Joe Stinton
Matte Painter:
Paul Detlefsen
Music Director:
Leo F. Forbstein
Novel:
Ernest Hemingway
Orchestrator:
Leonid Raab
Original Music Composer:
Franz Waxman
Producer:
Howard Hawks
Screenplay:
Jules Furthman
William Faulkner
Whitman Chambers
Set Decoration:
Casey Roberts
Sound:
Oliver S. Garretson
Sound Mixer:
Charles David Forrest
Sound Re-Recording Mixer:
Robert G. Wayne
Gerald W. Alexander
Sound Recordist:
Edward Ullman
Special Effects:
Rex Wimpy
Roy Davidson
Stand In:
Lance Fuller
Still Photographer:
Mac Julian
Stunts:
Harvey Parry
George Suzanne
Unit Manager:
Chuck Hansen
Eric Stacey
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.