A work in constant progress (and occasional regress).
Release Date:
December 29, 1954
Original Title:
La donna del fiume
Alternate Titles:
A Mulher do Rio
A Rapariga do Rio Pó
Den Åtrådda
Devojka sa reke
I gynaika tou potamou
La chica del río
La fille du fleuve
Nainen joelta
Nehir kizi
Pigen fra floden
Piken fra elven
The River Girl
Genres:
Drama
Production Companies:
Excelsa Film
Les Films du Centaure
Ponti-De Laurentiis Cinematografica
Production Countries:
France | Italy
Ratings / Certifications:
N/A
Runtime: 94
When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is working as a cutter to support herself and an infant son, and warns her that Gino has escaped from prison and is seeking revenge. She rejects his offer to protect her. Gino finds Nives, mourning the drowning death of their son. He surrenders himself to the police and then walks at Nives' side in the funeral procession.
Assistant Camera:
Arturo Zavattini
Assistant Editor:
Tatiana Casini Morigi
Camera Operator:
Roberto Gerardi
Choreographer:
Leo Coleman
Costume Design:
Anna Gobbi
Director:
Mario Soldati
Director of Photography:
Otello Martelli
Editor:
Leo Catozzo
Executive Producer:
Basilio Franchina
First Assistant Director:
Cesare Olivieri
Line Producer:
Antonio Altoviti
Makeup Artist:
Goffredo Rocchetti
Original Music Composer:
Angelo Francesco Lavagnino
Armando Trovajoli
Producer:
Carlo Ponti
Dino De Laurentiis
Production Design:
Flavio Mogherini
Production Manager:
Giorgio Adriani
Production Secretary:
Claudio Agostinelli
Spartaco Conversi
Giuseppe Di Biase
Screenplay:
Basilio Franchina
Pier Paolo Pasolini
Florestano Vancini
Mario Soldati
Giorgio Bassani
Antonio Altoviti
Script Supervisor:
Anna Gruber
Second Assistant Director:
Florestano Vancini
Set Decoration:
Arrigo Breschi
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.