Permanent Midnight (1998) [R]

Release Date:
September 16, 1998

Original Title:
Permanent Midnight

Alternate Titles:
A nap árnyékos oldalán
Bir yazarin hayati
Doble vida
Déchéance Moderne
Hard Night
Loputon yö
Mesanyhta gia panta
Oscuridad Permanente
Permanent Midnight
Permanent Midnight - Voll auf Droge
Uma Vida Alucinante
Viver na Escuridão
Wieczna pólnoc
Вечная полночь

Genres:
Drama

Production Companies:
Artisan Entertainment
JD Productions

Production Countries:
United States of America

Ratings / Certifications:
DE: 12  FR: 10  US: R 

Runtime: 88

He had a great job, beautiful wife and a habit the size of Utah.

Juggling increasing career success and a growing heroin habit, a television comedy writer attempts to go down a path of improvement.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

"B" Camera Operator:
Dustin Blauvelt

ADR Editor:
Peter Austin
David Melhase

ADR Mixer:
Brian Ruberg
Lee Tinkham
Dean Drabin

ADR Recordist:
Cary Stratton
Joan Chamberlain

ADR Voice Casting:
Sandy Holt

Art Department Coordinator:
Patricia Kruijer

Art Direction:
Ryan Ong

Assistant Production Coordinator:
Herb Ankrom

Assistant Property Master:
Denise Anderson

Best Boy Electric:
Bryan Booth

Boom Operator:
Lionel Luna

Casting:
Ronnie Yeskel
Richard Hicks

Casting Assistant:
Jennifer Levy

Co-Producer:
Robert Leveen

Color Timer:
Harry Muller

Costume Design:
Lori Eskowitz
Louise Mingenbach

Costume Supervisor:
Mary Walbridge

Dialogue Editor:
Gary Lewis
Paul Longstaffe
Barbara Issak
Dennis Gray

Director:
David Veloz

Director of Photography:
Robert D. Yeoman

Dolby Consultant:
James Wright

Dolly Grip:
Scott Froschauer

Editor:
Cara Silverman
Steven Weisberg

Electrician:
Dominik Feller

Executive Producer:
Yalda Tehranian

First Assistant "B" Camera:
Tim Barry

First Assistant Camera:
Storn Peterson

First Assistant Director:
Joel Jeffrey Nishimine

Gaffer:
Martin Leeper

Hairstylist:
Lynn Taylor-Wood

Key Costumer:
Andrea Federman

Key Hair Stylist:
Edward St. George

Key Makeup Artist:
Christina Bartolucci

Key Rigging Grip:
Erik Capek

Leadman:
Terry Hargis

Makeup & Hair:
Heba Thorisdottir

Music:
Daniel Licht

Music Editor:
Mike Flicker

Music Supervisor:
Jeff Rabhan

Negative Cutter:
Rick Downey

Novel:
Jerry Stahl

Post Production Supervisor:
Beau J. Genot

Producer:
Don Murphy
Jane Hamsher

Production Accountant:
Lynell Bangs

Production Coordinator:
Robin Mulcahy Fisichella

Production Design:
Jerry Fleming

Production Manager:
Susan McNamara

Property Master:
Mark Anderson

Script Supervisor:
Lori Grabowski

Second Assistant Director:
Jaleh Teymourian

Set Decoration:
Betty Berberian

Sound Effects Editor:
Linda Keim
Brian Thomas Nist
Eric A. Norris

Sound Mixer:
Eric Enroth

Sound Re-Recording Mixer:
Don Digirolamo
David E. Fluhr
Adam Jenkins

Sound Recordist:
Aaron Levy

Still Photographer:
John Johnson

Stunt Coordinator:
Eddie Perez

Stunts:
Jeff Cadiente
Frank Torres
Clint Jones
Thomas DeWier

Supervising Sound Editor:
Stephen Grubbs
Peter Austin

Writer:
David Veloz

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.