A work in constant progress (and occasional regress).
Release Date:
September 16, 1998
Original Title:
Permanent Midnight
Alternate Titles:
A nap árnyékos oldalán
Bir yazarin hayati
Doble vida
Déchéance Moderne
Hard Night
Loputon yö
Mesanyhta gia panta
Oscuridad Permanente
Permanent Midnight
Permanent Midnight - Voll auf Droge
Uma Vida Alucinante
Viver na Escuridão
Wieczna pólnoc
Вечная полночь
Genres:
Drama
Production Companies:
Artisan Entertainment
JD Productions
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 FR: 10 US: R
Runtime: 88
Juggling increasing career success and a growing heroin habit, a television comedy writer attempts to go down a path of improvement.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"B" Camera Operator:
Dustin Blauvelt
ADR Editor:
Peter Austin
David Melhase
ADR Mixer:
Brian Ruberg
Lee Tinkham
Dean Drabin
ADR Recordist:
Cary Stratton
Joan Chamberlain
ADR Voice Casting:
Sandy Holt
Art Department Coordinator:
Patricia Kruijer
Art Direction:
Ryan Ong
Assistant Production Coordinator:
Herb Ankrom
Assistant Property Master:
Denise Anderson
Best Boy Electric:
Bryan Booth
Boom Operator:
Lionel Luna
Casting:
Ronnie Yeskel
Richard Hicks
Casting Assistant:
Jennifer Levy
Co-Producer:
Robert Leveen
Color Timer:
Harry Muller
Costume Design:
Lori Eskowitz
Louise Mingenbach
Costume Supervisor:
Mary Walbridge
Dialogue Editor:
Gary Lewis
Paul Longstaffe
Barbara Issak
Dennis Gray
Director:
David Veloz
Director of Photography:
Robert D. Yeoman
Dolby Consultant:
James Wright
Dolly Grip:
Scott Froschauer
Editor:
Cara Silverman
Steven Weisberg
Electrician:
Dominik Feller
Executive Producer:
Yalda Tehranian
First Assistant "B" Camera:
Tim Barry
First Assistant Camera:
Storn Peterson
First Assistant Director:
Joel Jeffrey Nishimine
Gaffer:
Martin Leeper
Hairstylist:
Lynn Taylor-Wood
Key Costumer:
Andrea Federman
Key Hair Stylist:
Edward St. George
Key Makeup Artist:
Christina Bartolucci
Key Rigging Grip:
Erik Capek
Leadman:
Terry Hargis
Makeup & Hair:
Heba Thorisdottir
Music:
Daniel Licht
Music Editor:
Mike Flicker
Music Supervisor:
Jeff Rabhan
Negative Cutter:
Rick Downey
Novel:
Jerry Stahl
Post Production Supervisor:
Beau J. Genot
Producer:
Don Murphy
Jane Hamsher
Production Accountant:
Lynell Bangs
Production Coordinator:
Robin Mulcahy Fisichella
Production Design:
Jerry Fleming
Production Manager:
Susan McNamara
Property Master:
Mark Anderson
Script Supervisor:
Lori Grabowski
Second Assistant Director:
Jaleh Teymourian
Set Decoration:
Betty Berberian
Sound Effects Editor:
Linda Keim
Brian Thomas Nist
Eric A. Norris
Sound Mixer:
Eric Enroth
Sound Re-Recording Mixer:
Don Digirolamo
David E. Fluhr
Adam Jenkins
Sound Recordist:
Aaron Levy
Still Photographer:
John Johnson
Stunt Coordinator:
Eddie Perez
Stunts:
Jeff Cadiente
Frank Torres
Clint Jones
Thomas DeWier
Supervising Sound Editor:
Stephen Grubbs
Peter Austin
Writer:
David Veloz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.