A work in constant progress (and occasional regress).
Release Date:
January 1, 1997
Original Title:
Macon County Jail
Alternate Titles:
Crossroads of Destiny
Jailbreak
Genres:
Crime | Thriller
Production Companies:
Concorde-New Horizons
Libra Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 18 US: R
Runtime: 92
After she leaves her cheating husband, Susan Reed embarks on a cross-country road trip where she falls victim to a series of mishaps that land her behind bars in the redneck Macon County Jail. Once inside, she's subjected to endless acts of brutality from the guards and inmates alike. Things go from bad to worse when she's forced to defend herself against a rapist with tragic results. No longer truly "innocent," when the opportunity arises Susan flees with fellow prisoner Coley.
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ADR Editor:
Kevin Hamilton
ADR Mixer:
Lorita de la Cerna
Art Department Coordinator:
Chris Larsen
Assistant Makeup Artist:
Julie Zvorsky
Casting:
Jan Glaser
Co-Producer:
Marta M. Mobley
Costume Design:
Esther Lee
Dialogue Editor:
Kevin Hamilton
Director:
Victoria Muspratt
Director of Photography:
Harry C. Box
Steve Gainer
Editor:
Nancy Rosenblum
Executive Producer:
Roger Corman
Lance H. Robbins
First Assistant Camera:
Todd Barron
First Assistant Director:
Eva Franzen
Foley Artist:
Joseph T. Sabella
Kitty Malone
Gaffer:
Michael Ambrose
Makeup Artist:
Nicola Zvorsky
Music:
Tim Wynn
Music Supervisor:
Paul Di Franco
Producer:
Darin Spillman
Production Design:
Michael Pearce
Production Manager:
Marta M. Mobley
Property Master:
Michelle Spears
Screenplay:
Victoria Muspratt
Donald Stewart
Script Supervisor:
Nanette K. Martin
Set Decoration:
Beth Ann Lundin
Sound Effects Editor:
Jeffrey R. Whitcher
Sound Re-Recording Mixer:
Joe Barnett
Dennis Michael Tenney
Steadicam Operator:
Jeffrey G. Hunt
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.