Home

Alexander and the Terrible, Horrible, No Good, Very Bad Day (2014) [PG]

Release Date:
October 8, 2014

Original Title:
Alexander and the Terrible, Horrible, No Good, Very Bad Day

Alternate Titles:
ALEXANDER Y UN DÍA TERRIBLE, HORRIBLE, MALO… ¡MUY MALO!
Alexander El Peor Dia De Todos
Alexander and the Very Bad Day
Alexander e la terribile, orribile, abominevole ma veramente bruttissima giornata
Alexander et sa journée épouvantablement terrible et affreuse
Alexandre e o Terrível, Horrível, Nada Bom, Péssimo Dia
Die Coopers - Schlimmer geht immer

Genres:
Comedy | Family

Production Companies:
21 Laps Entertainment
The Jim Henson Company
Walt Disney Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: PG  BR: L  CA: G  DK: 7  ES: APTA  GB: PG  GR: Κ  IE: 12  JP: PG12  LT: N-7  NL: AL  PL: 12  RO: 12  US: PG 

Runtime: 81

One day can change everything.

Overview from TheMovieDB

Alexander's day begins with gum stuck in his hair, followed by more calamities. Though he finds little sympathy from his family and begins to wonder if bad things only happen to him, his mom, dad, brother, and sister all find themselves living through their own terrible, horrible, no good, very bad day.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Trailer

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Art Department Coordinator:
Susannah Carradine

Art Direction:
Stephen Christensen

Associate Producer:
Will Rack

Book:
Judith Viorst

Boom Operator:
Knox White

Camera Operator:
Simon Jayes
Bradley Richard

Casting:
Randi Hiller
Tamara Notcutt

Chief Lighting Technician:
Michael Bauman

Choreographer:
Christine Lakin

Color Timer:
Dan Muscarella

Construction Coordinator:
Terry Scott

Costume Design:
Nancy Steiner

Costume Supervisor:
Linda Matthews

Dialect Coach:
Susan Hegarty

Dialogue Editor:
Michelle Pazer

Director:
Miguel Arteta

Director of Photography:
Terry Stacey

Dolly Grip:
Richard Crompton
Jack Glenn
Jeremy M. Griffiths
Alan Shultz

Editor:
Pamela Martin

Executive Producer:
Philip Steuer
Jason Lust

First Assistant Camera:
Robert 'Caz' Duffy
Kim Guthrie
Robert Heine
John Stradling
Zoran Veselic

First Assistant Director:
Sunday Stevens

First Assistant Editor:
Staci Pontius

Foley Editor:
Kerry Ann Carmean

Greensman:
Tony Castagnola

Hair Department Head:
Shandra Page

Hairstylist:
Peter Tothpal
Teressa Hill
Andrea Jackson
Pauletta O. Lewis
Rachel Bonner
Valerie Jackson
K. Troy Zestos

Key Grip:
Les T. Tomita

Key Hair Stylist:
Lynda Kyle Walker

Key Makeup Artist:
Cinzia Zanetti

Key Set Costumer:
Jimmy Jay

Lead Painter:
Louie Esparza
Jeffe Jenkins

Leadman:
Gary Isbell

Location Manager:
Robert Foulkes

Makeup Artist:
Bill Corso
Cinzia Zanetti
Becky Cotton
Jenni Clark
John Damiani
Lisa Nash-Jones
Judy Staats

Makeup Department Head:
Roz Music
Deborah La Mia Denaver

Modeling:
John Paul Molloy

Music Editor:
Philip Tallman
Fernand Bos

Original Music Composer:
Christophe Beck

Painter:
Rocco Francesco Paolone

Picture Car Coordinator:
Marty Osborne

Producer:
Shawn Levy
Daniel S. Levine
Lisa Henson

Production Design:
Michael Corenblith

Production Executive:
Blanca Lista

Production Supervisor:
Matthew Hirsch

Prop Maker:
Clint Carney

Property Master:
J.P. Jones

Rigging Gaffer:
Charlie McIntyre

Rigging Grip:
Jose F. Barrios
Rick Harris

Screenplay:
Rob Lieber

Screenstory:
Rob Lieber

Script Supervisor:
Rebecca Robertson

Set Costumer:
Aimee McCue

Set Decoration:
Susan Benjamin

Set Designer:
Everett Chase
Lorrie Campbell

Sound Effects Editor:
Michael Payne
Dan Hegeman
Nancy MacLeod

Sound Mixer:
Steve Nelson

Sound Re-Recording Mixer:
John Ross
Myron Nettinga

Sound Recordist:
Aiden Ramos

Special Effects Coordinator:
J.D. Schwalm

Still Photographer:
Dale Robinette

Studio Teachers:
Maura Gannett

Stunt Coordinator:
Garrett Warren

Supervising ADR Editor:
Glynna Grimala

Supervising Sound Editor:
Andrew DeCristofaro
Becky Sullivan

Transportation Coordinator:
Geno Hart

Unit Production Manager:
Philip Steuer

Unit Publicist:
Ernie Malik

Visual Effects Coordinator:
David Masure-Bosco
Jane Reynolds

Visual Effects Producer:
Amol Parulekar

Visual Effects Supervisor:
Patrick McClung
Christopher Lance

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.