A work in constant progress (and occasional regress).
Release Date:
September 29, 1990
Original Title:
Backstreet Dreams
Alternate Titles:
Sonhos de um Rebelde
后街之梦
Genres:
Drama
Production Companies:
O'Malley Film
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 104
Caught in the web of inner city violence, extortion and drugs, Dean Costello is a small-time gangster with big-time dreams for himself and his autistic son, Shane. When his marriage to Ludy falls apart the doctors tell Dean that there is no hope for his son, he turns to a wealthy child psychologist, Stephanie "Stevie" Bloom in a final effort to reach Shane. Stevie tries to convince Dean that he must commit himself to Shane and leave behind his life on the streets. But Dean's violent world continues to haunt him, and threatens to destroy the dreams he has for his son, for himself, and for Stevie. In a final battle, he must face overwhelming odds... alone.
ADR Editor:
Joseph A. Mayer
Art Direction:
Jay Burkhart
Assistant Editor:
Joel Negron
Assistant Location Manager:
Richard Sirianni
Assistant Production Coordinator:
Karen R. Sachs
Assistant Property Master:
Gary Towers
Assistant Set Decoration:
Damon Medlen
Assistant Unit Manager:
Bruce Greenfield
Best Boy Electric:
Rick Senteno
Best Boy Grip:
Richard Sutherland
Boom Operator:
Jonathan Fuh
Camera Operator:
Michael Shea
Casting:
Michael Cutler
Chief Lighting Technician:
Tom Ingalls
Construction Coordinator:
Allen Terry
Costume Consultant:
Rita Riggs
Costume Designer:
Elisabeth Scott
Costume Supervisor:
Beth Sheldon
Director:
Rupert Hitzig
Director of Photography:
Stephen M. Katz
Dolly Grip:
R. Dog Thomas
Editor:
Robert Gordon
Electrician:
R. Michael Stringer
Edward O'Neill
Stephen M. Foss
David Pearlberg
Richard Mauro
Dave Samuel
Extras Casting:
Sally Perle
First Assistant Camera:
Dan Wagner
First Assistant Director:
Jack Breschard
Gaffer:
Richard Mauro
Grip:
Brian Lieberman
Kevin Smyth
John Di Anda
Hairstylist:
Bridget Bergman
Key Grip:
George B. Palmer
John Di Anda
Line Producer:
Cary Glieberman
Location Manager:
Cass Martin
Makeup & Hair:
Cidele Curo
Makeup Artist:
Vicky Ogden
Music Editor:
Steve Livingston
Music Supervisor:
Jackie Krost
Joe La Mont
Negative Cutter:
Gary Burritt
Original Music Composer:
Bill Conti
Producer:
Lance H. Robbins
Jason O'Malley
Production Coordinator:
Gayle S. Ocheltree
Mary Rae Thewlis
Production Design:
George Costello
Production Sound Mixer:
George Alch
Property Master:
William Jones
Scoring Mixer:
Lee De Carlo
Script Supervisor:
Helen Pinkston
Linda Haftel
Second Assistant Camera:
Todd Dos Reis
Second Assistant Director:
Richard J. Levin
Ron Kinwald
Second Unit Director:
BJ Davis
Second Unit First Assistant Director:
Ron Kinwald
Set Decoration:
Maria Caso
Set Dresser:
Margret Milosh
Susan Benjamin
Sound Effects Editor:
Mark Gordon
Dan Hegeman
Jonathan Kelsey Taylor
Steve Mann
Neal Burger
Sound Mixer:
Douglas Tourtelot
Sound Re-Recording Mixer:
Matthew Iadarola
Robert Thirlwell
Michael Herbick
Sound Recordist:
Randy K. Singer
Special Effects Coordinator:
John Carter
Special Effects Technician:
Bob Tiller
Steadicam Operator:
Peter Jensen
Bob Gorelick
Still Photographer:
Mac James
Paige Jeffers-Burghardt
Stunt Coordinator:
BJ Davis
Stunts:
Eddie Braun
Jordon Davis
Dennis Madalone
Scott B. Wells
Alex Brown
Rick McCallum
Kane Hodder
Sharon Schaffer
Chuck Courtney
Joy Hooper
John Sistrunk
Jimmy Lynn Davis
Chris Doyle
Walter Hay
Eric Humphrey
Bob McGovern
Supervising Sound Editor:
Sandy Berman
Randle Akerson
Title Designer:
David L. Aaron
Unit Production Manager:
Cary Glieberman
Michael P. Petrone
Writer:
Jason O'Malley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.