Home

The Revengers' Comedies (1998) [N/A]

Release Date:
June 9, 1998

Original Title:
The Revengers' Comedies

Alternate Titles:
Amour, vengeance et trahison
Hering auf der Hose
Rache ist suess
Sweet Revenge
Мстители: Игра для двоих

Genres:
Comedy | Crime | Romance

Production Companies:
Arts Council of England
France 2 Cinéma
HBO
IMA Productions
J&M Entertainment
Miramax

Production Countries:
France | United Kingdom

Ratings / Certifications:
 N/A

Runtime: 86

Getting Even... Just Got Even Funnier!

Overview from TheMovieDB

After saving each other from jumping off a bridge, Henry Bell and Karen Knightly plot to avenge the people who drove them to suicide. Henry will ruin the life of the woman who married Karen's boyfriend, while Karen will work as a secretary for the man who took Henry's job. Whether revenge will be sweet – or bittersweet – is anyone's guess.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Performers

Click the heading above to show or hide the list.

Production

Art Department Assistant:
Kate Grimble

Art Direction:
Diane Dancklefsen
Charmian Adams

Assistant Director:
Konrad Jay

Assistant Editor:
Sophia Wellington

Assistant Location Manager:
Emma Pill

Assistant Production Coordinator:
Lulu Morgan

Assistant Sound Editor:
Sarah Ellis
Roy Birchley
Graham Farrow

Associate Editor:
Jeremy Gibbs

Boom Operator:
Shaun Mills

Camera Operator:
Rickie Gauld

Camera Trainee:
Julie Lemasson

Carpenter:
Joe Alley

Casting:
Michelle Guish

Casting Assistant:
Julia Gale

Clapper Loader:
Stephen Sadler

Co-Producer:
Georges Benayoun

Colorist:
Simon Astbury
David Hamme

Construction Manager:
Jack Carter

Costume Design:
Anushia Nieradzik

Dialogue Coach:
Julia Wilson Dickson

Dialogue Editor:
Shirley Shaw

Director:
Malcolm Mowbray

Director of Photography:
Romain Winding

Dressing Prop:
Will Ayres
Tom Read
Lawrie Ayres

Editor:
Barrie Vince

Electrician:
Martyn Welland
Iwan Williams

Executive Music Producer:
Ray Williams

Executive Producer:
Marina Gefter
Julia Palau
Mark Shivas

Floor Runner:
Alex Oakley

Focus Puller:
Kim Seber
Elly Harrowes
Danny Cohen

Foley Editor:
Tony Message

Gaffer:
Dominique Dehoua

Generator Operator:
Ronnie Savory

Grip:
Colin Strachan

Hairstylist:
Nuala Conway
Norma Webb

Key Makeup Artist:
Sallie Jaye

Location Manager:
David Boardman

Music Editor:
Shari Johanson

Orchestrator:
Bernard Gérard
Alexandre Desplat

Original Music Composer:
Alexandre Desplat

Painter:
Lee Shelley

Post Production Supervisor:
Alison Odell

Producer:
Simon Bosanquet

Producer's Assistant:
Flore Rougier
Claudia Schon Maier

Production Accountant:
Hazel Crombie

Production Coordinator:
Lil Heyman

Production Design:
Stuart Walker

Production Runner:
Isobel Thomas

Production Sound Mixer:
Peter Glossop

Production Supervisor:
Kathy Sykes
Mark Huffam

Property Master:
John Hogan

Publicist:
Peta Browne

Screenplay:
Malcolm Mowbray

Script Supervisor:
Susanna Lenton

Second Assistant Director:
Richard Styles

Set Decoration:
Liz Griffiths

Sound Editor:
Gerard McCann
Tim Hands
Hugo Middleton

Sound Re-Recording Mixer:
Gerry Humphreys
Tim Cavagin

Special Effects Assistant:
Jody Taylor

Special Effects Makeup Artist:
Chris Lyons

Special Effects Supervisor:
Kevin Draycott
Joss Williams

Special Effects Technician:
Manex Efrem

Standby Painter:
Jeff Sullivan

Standby Rigger:
Sid Hinson

Steadicam Operator:
John Ward

Still Photographer:
Simon Mein
Nick Wall

Storyboard Artist:
Tom Early

Stunt Coordinator:
Greg Powell

Stunt Double:
Helen Caldwell
Mark Southworth
Mark Lisbon

Supervising Sound Editor:
Alan Bell

Theatre Play:
Alan Ayckbourn

Third Assistant Director:
Lizzie Turvey

Title Designer:
Roger Phillips

Transportation Coordinator:
Gary Birmingham

Utility Stunts:
Lee Millham

Wardrobe Assistant:
Kimberley Phillips

Wardrobe Master:
Heather Howell

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.